BANDED

WHERE ARTISTS AND FANS BAND TOGETHER.

Mammoth Brings The End to Columbus with Myles Kennedy & Return To Dust

Rebecca Potzner

Mammoth WVH returned to Columbus, Ohio at Kemba LIVE! for a stacked night of rock and roll alongside Myles Kennedy and Return to Dust. Wolf Van Halen hit the stage with the full band in tow, ripping through tracks from his new album The End and sprinkling in a few fan favorites from previous albums.

One of the standout moments for me? Wolf stepping right up to the edge of the stage, effortlessly tapping while giving the crowd this smug but playful little smirk—basically saying, “You hearing this? This is the Van Halen-level shred you wanted… just done my way.” I couldn’t help but laugh and think, “hell yeah!”

And then there was “Distance.” His new arrangement starts soft and bare, just Wolf alone in the spotlight, before the band crashes in and the whole room swells with emotion. Paired with video clips of him and his dad Eddie Van Halen through the year, it hit hard. The crescendo didn’t just build the song—it brought tears straight to my eyes.

Earlier in the evening, Return to Dust set the tone with a killer opening set. Their sound brings fresh life to modern grunge, and I honestly can’t recommend them enough.

As always, Myles Kennedy delivered a phenomenal performance. He ripped through his setlist with effortless power, radiating pure joy the entire time. Watching an artist who looks genuinely happy to be onstage is all I could ever ask for.

Catch the end of The End tour for 2025 PLUS check out new 2026 dates! Find tickets here.

From Liverpool to Cincinnati: Loathe Live at Bogart’s

Rebecca Potzner

English nu-metalcore band LOATHE brought their headlining tour to Bogart’s, marking their first-ever performance in Cincinnati — and the city showed up. The room was packed wall-to-wall with fans ready to loathe as one.

From the first song, LOATHE delivered a crushing, atmospheric set that proved exactly why their live shows have built such a devoted following.

Check out photos from the show below and don’t miss their upcoming tour dates here.

A Night With Shakey Graves: Live at Bogart’s

Rebecca Potzner

On the night the Northern Lights brushed the skies over Cincinnati, Shakey Graves lit up the iconic Bogart’s stage. He walked out with pure Mr. Rogers energy - warm, inviting, and sweater swapping. Even as a one-man show, he never lacked an ounce of momentum. With a constant grin, it was clear he was right where he belonged.

Check out photos from the show, and be sure to catch Shakey Graves when he comes through your city. View tour dates!

Noah Cyrus Brings a New Country experience to Boston

Cassie Irene

On October 7, 2025 Noah Cyrus brought her I WANT MY LOVED ONES TO GO WITH ME tour to Boston. Looking around I just knew the show was going to be whimsical. Fans were dressed in their folkloric best as they waited patiently for the opener to begin. Looking around the stage we could see the set. A Gothic fairytale woods backdrop, some trees with moss along the bottom as if they were growing from the stage itself. We were transported into her world before she even graced the stage. 

The lights drifted away and Carter Faith came onto the stage. I could tell that Faith was perfectly picked to open this tour. Her strong but soft voice came out like the lace and lilies draped upon her microphone stand. Faith began with a song titled “Cherry Valley”.  The song is also the title of her latest album release. Her crescendoing and decrescendoing vocals during the song weaved around us. She continued on with singing songs from Cherry Valley. The crowd favorites seemed to be “Bar Star", the friend who helped her with the concept was there the evening of the show. It alludes to looking for a handsome man at the bar. Then “Grudge”, a song about well… holding a Grudge **wink**. She also added some hard hitters from her record called “Misery Loves Company” and “Six String”.

Photo: Corwin Wickersham

Now it was time for Noah Cyrus to come to stage. The moment we were all waiting for. The lights went down and her band began to play. Cyrus emerged from the back of the stage with a lantern in hand. Her aura was indeed full of whimsy, she wore a beautiful cottagecore-esque gown, and her hair flowed just as airy and stunning as her dress. She placed the lantern on a branch from one of the trees and began to enchant her audience with her song, “I Saw The Mountains”. Her vocals were gorgeous and raspy. Captivated is an understatement. Cyrus continued on mixing through emotions with her perfectly curated setlist. 

Photo: Corwin Wickersham

Cyrus gave an outstanding performance with her songs like “Man In The Field”, the lights were a shimmering emerald. Making the lantern’s glow that soon returned to her hand stand out. Our eyes followed that lantern as she brought us from one side of the stage to the other. Then soon after she had fiery red lighting to go along with her track, “I Burned LA Down”. Cyrus was joined after by select members of her band to perform some intimate feeling songs such as a cover of “Going to California”, a Led Zeppelin song. She mentioned her father (Billy Ray Cyrus) playing Zeppelin as she was growing up and gave a nod to him during this part of the set. Cyrus during this portion had some pretty fun moments with her fans. There was a person with a spider man suit on and she flashed him the web hands throughout this part of the show. 

Photo: Corwin Wickersham

Cyrus then performed one of her more popular and courageous songs, “Noah(Stand Still).” The song is about recovering. Her father at that time gave her some wise words of wisdom. Those were to just “stand still.” This song wields so much power, it feels like a gift of knowledge to us to use just as well as for her own use. Cyrus then continued to uphold the enchanting and country folk vibe throughout the evening. While folding in some more hardy tunes like “July” adding a classic rock feeling of a jam during the song. 

Cyrus then finished the show with crowd favorites “Make Me (Cry)” and “XXX.” I am truly blown away by how incredible Noah Cyrus is as a singer/songwriter and performer. Leaving the show I truly felt like I was leaving a storybook. One that Cyrus had made just for us that evening. 

Cyrus has a select few tour dates remaining. You do not want to miss a Noah Cyrus show! 

You can stream the namesake for the tour, “I WANT MY LOVED ONES TO GO WITH ME” anywhere you stream music. You can also find any updates for Noah Cyrus tour dates on her website: Noah Cyrus | Official Website

Night Moves Brings The Double Life Tour to DC

Cameron Kennedy

Debuting their self-produced fourth album Double Life, Night Moves proved once again why they remain a must-see band. I made sure not to miss them on this tour, driving over 900 miles to catch their stop at The Atlantis in Washington, D.C. last Sunday. Contrary to the track “Almost Perfect” the night was nothing short of flawless.

Night Moves has long defied simple categorization. Frontman, vocalist, and songwriter John Pelant describes their sound as “Cosmic Twang Rock Disco Fog Sludge,” a phrase that feels weirdly accurate. Active since 2010, the band has honed a psychedelic aesthetic rich in guitar slides, harmonica accents, glowing synths, and infectious hooks.

Alongside Pelant, Micky Alfano locks in the groove with the bass; Mark Hanson drives the rhythm with dynamic drums and percussion; and Chuck Murlowski layers in guitar rhythms that expand the band’s already cinematic sound. Their influences are plentiful, but what’s most striking is how their music manages to feel both nostalgic and entirely fresh. Double Life is their most transformative release yet; alive with energy and lyrical themes that grapple with longing, grief, and growing pains, all carried by contrasting melodies that make you want to move.

Opening the evening was Raybody, the stage project of Brooklyn singer-songwriter Katy Rea. With hushed, haunting vocals and jazz-infused arrangements, she set an evocative tone. Her songs were soft yet eerie, beautiful and unsettling, captivating in their contradictions. It was her first performance in D.C., but she wasted no time drawing the audience into her world.

By 9 p.m., Night Moves took the stage to a packed house. Fans filled both floors of The Atlantis, a venue named in homage to the legendary space that predated the 9:30 Club just blocks away. With its intimate layout and rooftop bar (complete with retro TVs streaming the concert), the setting heightened the sense of closeness between band and audience.

The setlist leaned heavily on Double Life, opening with “Trying to Steal a Smile” and later weaving in fan favorites from earlier records. A highlight came near the end with “Fallacy Actually” from The Redaction, seamlessly transitioning into Pelant’s personal favorite track from the new album, “Desperation.” After an encore chant from the crowd, the night closed with “Ribboned Skies” from Can You Really Find Me, a fitting send-off that married their expansive sound with the intimacy of the room.

The band balanced high-energy anthems with lush, spacey grooves that kept the audience in motion. Swirling washes of blue and purple light gave every moment a dreamlike quality, intensifying the band’s immersive soundscapes.

Fans lined up afterward for the newly re-pressed and highly sought-after Redaction EP, eager to take home a piece of the night. I was lucky enough to share a few words with the band and grab a few portraits of them, still buzzing from the performance.

As I drove back, “This Time Tomorrow” echoed in my head; a song I suspect will stay with me not just till tomorrow but for years to come. If Night Moves comes anywhere near you, don’t hesitate. Whether it’s a short ride or a cross-country drive, it’s worth every mile.

FOLLOW NIGHT MOVES

WEBSITE | INSTAGRAM

Mirador: A Debut to Remember

Madison Scisci

On the eve of their debut album release, Mirador delivered a memorable performance at Boston’s Paradise Rock Club. Though they’ve only been an official band for a short time, they play with an energy and emotional depth that feels like years of shared history. A passionate connection between them is visible in every deliberate exchange on stage, and their technical skill and genuine bond radiate through each note.

Mirador tells stories through their music in a way that feels refreshingly honest and raw, with an emotional openness that reaches out and grabs you. This isn’t a new concept for the band’s frontmen—Chris Turpin of Ida Mae and Jake Kiszka of Greta Van Fleet are both experienced performers. What’s inspiring is seeing them branch out together, using their creativity to craft something new and uniquely their own.

A smaller venue allows artists to connect with the audience on a deeper, more personal level, and Chris Turpin embraces that fully. When he stepped off the stage to play his acoustic guitar directly into the crowd, it was impossible not to be drawn in. Voices lingered in the air, and chords rang out, filling the room with an intimate energy. This connection extended to Mirador’s heartbeat, Mikey Sorbello. He is far more than just a drummer—he shapes time with his hands, and every strike and subtle movement shows how deeply connected he is to the music. His talent goes beyond traditional timekeeping, incorporating a variety of percussion instruments that add layers and depth to the performance. Together with Nick Pini, their jam session became a highlight of the night. The shift in pace hit perfectly, and I can still feel that bass in my chest.

So much passion and soul went into what Jake and Chris have started—you can feel it in every lyric and riff. Their voices and instruments were always meant to intertwine, like puzzle pieces finally finding their place. It feels like a privilege to witness this beginning, to be there as something special sets off on its journey. There was a quiet knowing in the room that we were witnessing something bigger—a moment that lingers long after the last note fades.

*Click images to enlarge.


MORE MIRADOR…

Creed, Daughtry, and Mammoth Prove The People Want Rock! [PHOTOS + REVIEW}

Rebecca Potzner

You should’ve been there on a Sunday evening banging your head… 

Seriously, you should’ve been there! On Sunday, August 24, Creed played a sold-out show at Heritage Bank Arena in Cincinnati, Ohio, near the tail end of their Return of the Summer of ’99 Tour.

As soon as it was announced, I knew this was a must-see show for me—not only because of the stacked lineup but also because Creed’s last tour left a lasting impression. I was blown away by the production and the energy of the band. They looked and sounded phenomenal. This time was no different.

But first, let’s start from the beginning of the night…

Mammoth WVH, fronted by Wolfgang Van Halen, kicked things off. With only a six-song set, they still packed a punch, pulling tracks from each album—including songs from the upcoming album, The End, due October 24!

From his debut solo tour to opening for Creed, Wolfgang has grown into a remarkable performer. Now, we truly get to see more of his personality and talent shine through.

And he isn’t the only one. Each member—Frank Sidoris (lead guitar), Jon Jourdan (rhythm guitar), Garrett Whitlock (drums), and Ronnie Ficarro (bass)—brought their own energy to the stage. It was a true treat to watch, from one side of the stage to the other.

Daughtry followed with an emotionally charged 10-song set, showcasing his vocal clarity and dynamic delivery. The performance felt raw and heartfelt, and the audience was fully engaged—lights shining, fans swaying along to every note.

The band delivered a strong mix of fan favorites along with a memorable Journey cover. I’ve got to give credit to Daughtry for not only honoring music outside his own style but also putting his own spin on it.

With openers as strong as Mammoth and Daughtry, the bar was set high—and Creed delivered even higher.

The band walked out with the full original lineup—Scott Stapp (vocals), Mark Tremonti (lead guitar), Brian Marshall (bass), and Scott Phillips (drums)—plus Eric Friedman on touring rhythm guitar.

The excitement was palpable.

Even if you’re not a devoted Creed listener, you quickly realize how many of their songs you know. And even when you don’t, you’re still captivated—by their sheer musical talent and the impressive production. We’re talking massive visuals, dazzling lights, pyro—the works.

Though the tour was winding down, the band’s energy felt at an all-time high as they powered through an incredible setlist that took the crowd on a rollercoaster of emotions.

Scott Stapp’s vocals were crisp and commanding. Look to the side, and there’s a smiling Mark Tremonti absolutely shredding. A pair we’re glad to see reunited.

Then came one of the moments we had all been waiting for: Higher. The crowd echoed every word, and it felt like every single person in that arena was singing at the top of their lungs.

As the song ended, the roar was deafening.

“CREED! CREED! CREED!” the crowd chanted.

The band returned for an encore with My Sacrifice. But this time, instead of Scott leading, the crowd took the reins. Couples swayed together, arms wrapped around each other, and voices lifted as one. It was a beautiful moment to close out the night and a reminder of how music truly brings people together.

Crowd participation was at an all-time high from start to finish. Creed didn’t even need to ask for it. The people were glad Creed is back.

David Lee Roth On Tour: Still Bringing the Party!

Rebecca Potzner

David Lee Roth is back on tour and made a stop at Cincinnati’s Hard Rock Casino on August, 21st. Backed by a full band, DLR lead us through a full set of Van Halen favorites.

Though many years have passed, Diamond Dave still has that frontman energy. You can catch him on the last few dates of his tour. Get tickets here.

*Click to enlarge photos

KALEO Captivates Empire Live in Albany

Madison Scisci

That feeling when you’ve been waiting for a show to start and the lights go out is like no other. The air in the room shifts and all you can hear is your own heartbeat.

Icelandic rock band KALEO, which you may know from their most notable hit, Way Down We Go, kicked off their MIXED EMOTIONS tour this month. Fans of all ages buzzed with anticipation as they packed into Empire Live in Albany, NY. The night started out mellow and focused. It quickly progressed into a high-energy set that knocked everyone off their feet. Lead singer and guitarist, Jökull Júlíusson (JJ Julius Son) had these old soul and gritty vocals that reverberated around the room.

One of the more memorable moments was when the band’s keyboardist, Thorleifur, brought out his harmonica and walked to the front of the stage to play for the crowd. It was unexpected and everyone lit up with excitement.

If you get the chance to see KALEO live, prepare to feel every beat and note in your bones. This is more than just a concert, it feels like a soul-stirring shared experience that stays with you long after the encore.

*Click photos to enlarge viewing

Alt/rock band, Edgehill, opened for KALEO at Empire Live in Albany on August 5th with an electric set that had the crowd dancing from start to finish. They played their newest single, Doubletake, which was a relatable tune about the confusion of being young and not knowing who you are. Their passion was prominent for every song and their energy was contagious. Between the guitar solos and powerful belts, this was a show Albany won’t forget.

Don’t miss KALEO on tour! View dates here.

A cozy evening with Young the Giant At Woodstock's Bearsville Theater

Madison Scisci

If you’ve seen Young the Giant before, you know that no matter where they play, it’s an intimate and spiritual experience that leaves you feeling whole again. On July 15, fans gathered at Woodstock’s Bearsville Theater for a preview show launching their In the Open tour. Throughout the evening, the band answered questions about life on tour, upcoming albums, and how their songs have evolved over the past decade. The performance was transcendent from beginning to end, evoking a deep emotional response from everyone in the room. This is a band you see once and then never miss again.

*Click photos to enlarge.