BANDED

WHERE ARTISTS AND FANS BAND TOGETHER.

Langhorne Slim brings modern Americana to Northampton

Madison Scisci

Rock & roll dreamer Langhorne Slim stopped at The Iron Horse Music Hall on his The Dreamin’ Kind tour, delivering a set that felt like a reunion of old friends. He came out decorated in a colorful striped suit with “You N Me” written across the back - a fitting visual for the atmosphere he curated throughout the night. Between songs, Slim’s humor and engagement with the audience added another layer of charm that I wasn’t expecting. Still plugged in, Slim moved through the room and up to the balcony, finishing his song in the crowd. The venue is intimate to begin with, but that moment transformed it entirely and drew everyone together in a way that felt spontaneous and genuine.

It would be a shame to miss Langhorne Slim on tour. Get your tickets now on his official website here.

Badflower Turns Bogart’s Into No Place Like Home

Rebecca Potzner

Los Angeles based rock band, Badflower packed out Bogart’s in Cincinnati on Friday, February 20th. After the release of their album No Place Like Home, the band is now on tour.

Olive Vox and Point North set the tone early, firing up the audience. By the time Badflower took the stage, the energy was levitating.

Check out photos from the show below.

*Click photos to enlarge for viewing

Del Water Gap put on a stellar performance at the State Theater in Portland, Maine

Cassie Irene

 Del Water Gap and Hannah Jadagu put on a stellar performance at the State Theater in Portland, Maine. Romantic encounters were sung about, the room was dimly lit, and S. Holden Jaffe made each song its own world. His Chasing The Chimera continues throughout the months of February and March.

This is not a show to miss out on.

* Click photos to enlarge for viewing

Lettuce Brings The Heat to Winter Show at State Theatre

Cassie Irene

Closing out January, Lettuce put on a marvelous show, adding heat to a frigid evening at the State Theatre in Portland, Maine.

Lettuce has been a staple on my feel-good playlist for years, adding spice to the vibes in my life. Getting a chance to see and hear the soul they pour into their work was incredible.

The band is currently on tour debuting music from their Cook album, a body of work that dives deeper into a pool of pure funk and jazz. They began with “Clav It Your Way,” a groovy, clavinet-heavy track played by the extraordinary Nigel Hall. Hall is the keyboard master of the band and also added excellent vocals on “Risin’ to the Top,” a Keni Burke cover.

Mixing in older material with the new, a highlight of the evening was hearing the bass work of Erik “Maverick” Coomes on “Ghosts of Yest.” The groove of that hook-driven bass line is not one to forget.

The radiant guitar playing by Adam “Shmeeans” Smirnoff throughout the night was spectacular. Some standout guitar work soared through songs like “Sam Huff’s Flying Ragin’ Machine,” “The Lock,” and “Grewt Up.” The drumming by Adam Deitch was the cherry on top, keeping the beat and helping the crowd move their feet while maintaining the heat during the chilled night.

And how could we forget two crucial forces of the entire evening: Ryan “Zoid” Zoidis on saxophone and Eric “Benny” Bloom on horns? Each song was graced by the horn section. A standout moment was how effortlessly they made the Herbie Hancock covers (“Chameleon” and “Bubbles”) look. They make it seem easy to pick up a sax or horn and just let it rip.

I’m forever in awe of musicians who can fully immerse themselves in their work and become one with it. Lettuce is one of those bands—you can tell how perfectly crafted and intricate each section is. I cannot wait to see them again!

You can catch Lettuce at a city near you. View Dates Here.

Stream Cook wherever you stream music: APPLE MUSIC | SPOTIFY

*Click photos to enlarge for viewing




Mammoth Brings The End to Columbus with Myles Kennedy & Return To Dust

Rebecca Potzner

Mammoth WVH returned to Columbus, Ohio at Kemba LIVE! for a stacked night of rock and roll alongside Myles Kennedy and Return to Dust. Wolf Van Halen hit the stage with the full band in tow, ripping through tracks from his new album The End and sprinkling in a few fan favorites from previous albums.

One of the standout moments for me? Wolf stepping right up to the edge of the stage, effortlessly tapping while giving the crowd this smug but playful little smirk—basically saying, “You hearing this? This is the Van Halen-level shred you wanted… just done my way.” I couldn’t help but laugh and think, “hell yeah!”

And then there was “Distance.” His new arrangement starts soft and bare, just Wolf alone in the spotlight, before the band crashes in and the whole room swells with emotion. Paired with video clips of him and his dad Eddie Van Halen through the year, it hit hard. The crescendo didn’t just build the song—it brought tears straight to my eyes.

Earlier in the evening, Return to Dust set the tone with a killer opening set. Their sound brings fresh life to modern grunge, and I honestly can’t recommend them enough.

As always, Myles Kennedy delivered a phenomenal performance. He ripped through his setlist with effortless power, radiating pure joy the entire time. Watching an artist who looks genuinely happy to be onstage is all I could ever ask for.

Catch the end of The End tour for 2025 PLUS check out new 2026 dates! Find tickets here.

From Liverpool to Cincinnati: Loathe Live at Bogart’s

Rebecca Potzner

English nu-metalcore band LOATHE brought their headlining tour to Bogart’s, marking their first-ever performance in Cincinnati — and the city showed up. The room was packed wall-to-wall with fans ready to loathe as one.

From the first song, LOATHE delivered a crushing, atmospheric set that proved exactly why their live shows have built such a devoted following.

Check out photos from the show below and don’t miss their upcoming tour dates here.

A Night With Shakey Graves: Live at Bogart’s

Rebecca Potzner

On the night the Northern Lights brushed the skies over Cincinnati, Shakey Graves lit up the iconic Bogart’s stage. He walked out with pure Mr. Rogers energy - warm, inviting, and sweater swapping. Even as a one-man show, he never lacked an ounce of momentum. With a constant grin, it was clear he was right where he belonged.

Check out photos from the show, and be sure to catch Shakey Graves when he comes through your city. View tour dates!

Cage The Elephant Brings the Energy to MGM @ Fenway

Cassie Irene

Cage The Elephant turned MGM Music Hall at Fenway into a sweaty, electric pressure cooker, ripping through their set with feral precision and zero wasted motion. Matt Shultz commanded the stage with wild-eyed intensity, pulling the crowd into every beat, every shout, every moment of chaos. It felt less like a concert and more like a full-body experience, the kind you leave hoarse, grinning, and already wishing you could rewind

Common People and Hey, Nothing opened up the show.

* Click the photos to enlarge for viewing

Noah Cyrus Brings a New Country experience to Boston

Cassie Irene

On October 7, 2025 Noah Cyrus brought her I WANT MY LOVED ONES TO GO WITH ME tour to Boston. Looking around I just knew the show was going to be whimsical. Fans were dressed in their folkloric best as they waited patiently for the opener to begin. Looking around the stage we could see the set. A Gothic fairytale woods backdrop, some trees with moss along the bottom as if they were growing from the stage itself. We were transported into her world before she even graced the stage. 

The lights drifted away and Carter Faith came onto the stage. I could tell that Faith was perfectly picked to open this tour. Her strong but soft voice came out like the lace and lilies draped upon her microphone stand. Faith began with a song titled “Cherry Valley”.  The song is also the title of her latest album release. Her crescendoing and decrescendoing vocals during the song weaved around us. She continued on with singing songs from Cherry Valley. The crowd favorites seemed to be “Bar Star", the friend who helped her with the concept was there the evening of the show. It alludes to looking for a handsome man at the bar. Then “Grudge”, a song about well… holding a Grudge **wink**. She also added some hard hitters from her record called “Misery Loves Company” and “Six String”.

Photo: Corwin Wickersham

Now it was time for Noah Cyrus to come to stage. The moment we were all waiting for. The lights went down and her band began to play. Cyrus emerged from the back of the stage with a lantern in hand. Her aura was indeed full of whimsy, she wore a beautiful cottagecore-esque gown, and her hair flowed just as airy and stunning as her dress. She placed the lantern on a branch from one of the trees and began to enchant her audience with her song, “I Saw The Mountains”. Her vocals were gorgeous and raspy. Captivated is an understatement. Cyrus continued on mixing through emotions with her perfectly curated setlist. 

Photo: Corwin Wickersham

Cyrus gave an outstanding performance with her songs like “Man In The Field”, the lights were a shimmering emerald. Making the lantern’s glow that soon returned to her hand stand out. Our eyes followed that lantern as she brought us from one side of the stage to the other. Then soon after she had fiery red lighting to go along with her track, “I Burned LA Down”. Cyrus was joined after by select members of her band to perform some intimate feeling songs such as a cover of “Going to California”, a Led Zeppelin song. She mentioned her father (Billy Ray Cyrus) playing Zeppelin as she was growing up and gave a nod to him during this part of the set. Cyrus during this portion had some pretty fun moments with her fans. There was a person with a spider man suit on and she flashed him the web hands throughout this part of the show. 

Photo: Corwin Wickersham

Cyrus then performed one of her more popular and courageous songs, “Noah(Stand Still).” The song is about recovering. Her father at that time gave her some wise words of wisdom. Those were to just “stand still.” This song wields so much power, it feels like a gift of knowledge to us to use just as well as for her own use. Cyrus then continued to uphold the enchanting and country folk vibe throughout the evening. While folding in some more hardy tunes like “July” adding a classic rock feeling of a jam during the song. 

Cyrus then finished the show with crowd favorites “Make Me (Cry)” and “XXX.” I am truly blown away by how incredible Noah Cyrus is as a singer/songwriter and performer. Leaving the show I truly felt like I was leaving a storybook. One that Cyrus had made just for us that evening. 

Cyrus has a select few tour dates remaining. You do not want to miss a Noah Cyrus show! 

You can stream the namesake for the tour, “I WANT MY LOVED ONES TO GO WITH ME” anywhere you stream music. You can also find any updates for Noah Cyrus tour dates on her website: Noah Cyrus | Official Website

Night Moves Brings The Double Life Tour to DC

Cameron Kennedy

Debuting their self-produced fourth album Double Life, Night Moves proved once again why they remain a must-see band. I made sure not to miss them on this tour, driving over 900 miles to catch their stop at The Atlantis in Washington, D.C. last Sunday. Contrary to the track “Almost Perfect” the night was nothing short of flawless.

Night Moves has long defied simple categorization. Frontman, vocalist, and songwriter John Pelant describes their sound as “Cosmic Twang Rock Disco Fog Sludge,” a phrase that feels weirdly accurate. Active since 2010, the band has honed a psychedelic aesthetic rich in guitar slides, harmonica accents, glowing synths, and infectious hooks.

Alongside Pelant, Micky Alfano locks in the groove with the bass; Mark Hanson drives the rhythm with dynamic drums and percussion; and Chuck Murlowski layers in guitar rhythms that expand the band’s already cinematic sound. Their influences are plentiful, but what’s most striking is how their music manages to feel both nostalgic and entirely fresh. Double Life is their most transformative release yet; alive with energy and lyrical themes that grapple with longing, grief, and growing pains, all carried by contrasting melodies that make you want to move.

Opening the evening was Raybody, the stage project of Brooklyn singer-songwriter Katy Rea. With hushed, haunting vocals and jazz-infused arrangements, she set an evocative tone. Her songs were soft yet eerie, beautiful and unsettling, captivating in their contradictions. It was her first performance in D.C., but she wasted no time drawing the audience into her world.

By 9 p.m., Night Moves took the stage to a packed house. Fans filled both floors of The Atlantis, a venue named in homage to the legendary space that predated the 9:30 Club just blocks away. With its intimate layout and rooftop bar (complete with retro TVs streaming the concert), the setting heightened the sense of closeness between band and audience.

The setlist leaned heavily on Double Life, opening with “Trying to Steal a Smile” and later weaving in fan favorites from earlier records. A highlight came near the end with “Fallacy Actually” from The Redaction, seamlessly transitioning into Pelant’s personal favorite track from the new album, “Desperation.” After an encore chant from the crowd, the night closed with “Ribboned Skies” from Can You Really Find Me, a fitting send-off that married their expansive sound with the intimacy of the room.

The band balanced high-energy anthems with lush, spacey grooves that kept the audience in motion. Swirling washes of blue and purple light gave every moment a dreamlike quality, intensifying the band’s immersive soundscapes.

Fans lined up afterward for the newly re-pressed and highly sought-after Redaction EP, eager to take home a piece of the night. I was lucky enough to share a few words with the band and grab a few portraits of them, still buzzing from the performance.

As I drove back, “This Time Tomorrow” echoed in my head; a song I suspect will stay with me not just till tomorrow but for years to come. If Night Moves comes anywhere near you, don’t hesitate. Whether it’s a short ride or a cross-country drive, it’s worth every mile.

FOLLOW NIGHT MOVES

WEBSITE | INSTAGRAM