EP REVIEW: The Thing With Feathers' Sundays in the South

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I must admit as a huge Rock n’ Roll fan, when it comes to new releases in the Alternative Rock world, I get excited every single time. So, when The Thing With Feathers released their debut EP, Sundays in the South, on February 18th, I immediately gave it a listen.

Nashville native band, The Thing With Feathers, is ever evolving and expanding the space of what Alt-Rock is, and fans are loving it, myself included. The group describes their sound as “… pushing the boundaries of pop-infused alternative rock to lengths not previously exhibited by (their) Nashville contemporaries.” After listening, I would have to completely agree. Sounding like seasoned professionals, it’s hard to believe this is the groups very first EP. Cumulating a distinct sound of their own, this band encapsulates the energy of a mix of bands like; The Strokes, Coldplay, and The 1975. Sundays in the South is incredibly well balanced, yet each song is unique and distinguishable amongst one another. It has a wonderful cohesiveness that has listeners coming back for more.

 The Thing With Feathers is a group of four made up by, Dave Welsch (Vocals), Alex Hendricks (lead guitar), Sean Carroll (bass), and Chris Roussell (Drums). After the release of the EP’s singles “Static” being released on November 19th, 2021, followed by “Lights Down Low” on January 14th, 2022, this five track EP was a highly anticipated one for many.

Here is my personal track-by-track perspective and breakdown of Sundays in the South… 

Saturday Night

Starting with the EP’s opening track, “Saturday Night”. This track is instrumental with nice subtle background vocals from front man, Dave Welsch. It is energetic, setting the tone for the musical journey you’re about to embark on for remainder of the EP.

Lights Down Low

On January 14th, 2022, “Lights Down Low” was the second single to be released from Sundays in the South. The tracks accompanying music video (directed and created by filmmaker Hannah Grey Hall), naturally found its way into MTVs ‘Spankin’ New’ video channels rotation. This track has become a fan favorite for many, with over 71,000 streams on Spotify. Front man, Dave Welsch, is quoted describing the origins of this track as “… tells the events of a fast and dangerous relationship that started in a smoke-filled bar. [the song is about] two characters’ rebellion against the whitewashed ideologies of southern Christian culture. The song is centered around a bass riff and has an overall darker tone, something we were eager to play around with after writing songs that were bright and pop-forward.”

Listening to “Lights Down Low”, you’re encompassed into this world as if you can see this scene playing out right before your very eyes. I believe this easily became a fan favorite due to the nature of the story line, and how relatable it can be for many in today’s culture, along with its undeniably catchy rhythm. 

Static

Entering all streaming platforms on November 19th, 2021, “Static” was the first single that debuted for the Sundays in the South EP. This track quickly became a personal favorite of mine, due to the musicality behind it all. This track highlights the talents of guitarist, Alex Hendricks, with energetic riffs that leave you wanting more. “Static” is intriguing with its lyricism that depicts a storyline of brutal honesty within a relationship where one partner is always left puzzled and slightly intimidated by the others actions. It sends the listener to a plane in which this storyline truly exists, feeling the turmoil and each emotion depicted. 

Walk Home

“Stop the car its over!

I shouldn’t have to show ya.

That you leave me feeling, so alone!

Prisoners on the freeway.

Always too little too late!

Park it on the shoulder!

I’d rather walk home.”

In comparison to the first three tracks on the EP, “Walk Home” presents itself with a major shift in tempo, as well as a somber tone. This track is a perfect representation of feelings we have all experienced before, at one time or another. Its plotline perfectly depicts the emotions of confusion, frustration and a little bit of anger that the characters are experiencing while feeling ‘stuck’ going through the motions in a relationship that has passed its expiration date. 

Sundays in the South

The EP concludes with title track, “Sundays in the South”, which also has an accompanying music video. The soft acoustic undertones paired with the lyrics, displays the struggle and vulnerability of moving on from a past relationship. With this track, The Thing With Feathers show us a side of their music that we have not previously seen from them before. Giving us raw and heartbreaking lyricism such as

“Wish you were honest when you called me,

Wish I was honest from the start.

Its like you’re treading on my fingers.

When I’m still hanging from your heart.”

I believe this was a perfect conclusion track for the Sundays in the South EP, as it gathers all the poetic undertones of the previous tracks. 

In its entirety, I think this Debut EP was phenomenal. Considering how well Sundays in the South went, I cannot wait to see what the future holds in store for The Thing with Feathers. This is only the beginning for them, and I truly believe it is only a matter of time until the group skyrockets into stardom within the world of Rock n’ Roll. One can trust in my recommendation to stream this EP. Sixteen minutes and twenty-eight seconds is all it takes to be transported into the world that is The Thing With Feathers. Keep an eye out for live performances of this EP during the ‘Sundays in the South’ North American tour, with dates still to be determined. Be sure to check out The Thing With Feathers on social media, Youtube, and your preference of streaming services!

INTERVIEW: Generation Underground

Hailing out of the east coast, I sat down with frontman Mike Florentine and bassist Rafael of Generation Underground to discuss their history, music, rock scene currently and what music/inspirations influences them and their writing.

PREMIERE: Liberty Deep Down Calls Us ALL Out with New Release, 'Typical'

Columbus, Ohio’s most energetic rock band, Liberty Deep Down (LDD), is back with an upbeat, attitude soaked jammer, ‘Typical’. It begs you to dance around yet it makes you pause for a split second to question how you, yourself, act on social media. A jammer AND a thinker, if you will.

The single was written in a grimey LA house full of rockers back in 2021 . Taking inspiration from our every-day, “the song is an eye roll to the way everyone interacts/dates online. How surface level it feels, as well as how fake social media can feel as a whole.” A fusion of quirky analog synth, fuzzy guitar riffs, and a little angst mixed the classic LDD sound, ‘Typical’ is one serious earworm.

We caught up with lead singer, Dominic Frissora to chat a little about the release…

Was the song inspired by any particular personal experiences or just a more general view of how we’re all navigating that space?

We’ve all definitely experienced our share of online dating nightmares but this song really is about how social media and the material world has changed the way we view and navigate life. All we ever see is the highlight reel on Instagram when we have no idea in reality what’s going on with anyone unless we’re close with them. 

Any artist / sound inspo for this piece?

We wanted to have a song that sounds modern but still has some classic taste so there’s a lot of big guitar and strong vocals that are heavily rock influenced Aerosmith being one specifically for vocal inspiration. But then you hear the synths and ear candy layered throughout the verses that are inspired by artists like Gorillaz and P!nk. This song is so fun and is inspired by many artists of all genres. 

What social media or dating advice would you give?

Don’t let it control your life. Enjoy life without your phone as much as you can and experience it in the moment. It’s so much better than filming it and watching it later or looking down at your phone the whole time. And we’re not totally innocent in this either we use social media and spend too much time looking at memes too but we’re trying to do better 😂

As far as online dating try it if you want to but meeting someone in person naturally can be so much more refreshing and real and fun. Either way we hope you find what you’re looking for!

‘Typical’ is out NOW on all streaming platforms and will soon be followed by a music video later this month. Stay plugged in…but not TOO plugged in.

FOLLOW LIBERTY DEEP DOWN

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Album Review: Venom Prison's Erebos

British death metal has always been around (Dark Heresy, Impaler, Cancer) but not until this recent decade with the rise of streaming platforms, has it become so mainstream and truly appreciated. Venom Prison is apart of this new wave of UK death metal and they may have just locked in their slot for album of the year.

Erebos is the fourth album release from Venom Prison and with each album the guitars become increasingly more technical in song writing, vocals & lyrics are more precise, drum tracking & sound become more brutal, and post production with each album is taken to a new level. 

I was first introduced to Venmo Prison with their sophomore album, Samsara, but it felt like a traditional death metal album sound: high gain amps (probably Peavey 5150, Orange or EVH) , fast paced death metal drums, and a sound, mixing wise, that felt the same in each song. Not saying it’s a bad album at all, I still loved it, but it didn’t break new ground for me. It did, however, very much shock me to find out the singer is a front woman, Larissa Stupar. Female metal vocalists have been on a rise, and Larissa’s name should be on the top of that list. 

For their latest album, VP comes baring the sound of darkness and rejuvenation for the death metal genre. “Judges Of The Underworld” was the first single released from this album back in November, and as soon as the opening riffs and drums kicked in, I knew this album was going to hit differently. Both rhythm and lead guitars were beautifully showcased, a drum sound that thunders into you, and vocals from Larissa that choke your soul for more. 

Songs such as “Golden Apple If The Hesperides”, “Castigated in Steel and Concrete” and their single release “ Judges Of The Underworld” truly show how this UK death metal act has evolved since their debut in 2016 yet still offer a more traditional sound for original fans with songs such as “Technologies of Death” and “Veil of Night”.

One song though, that threw a curve ball in this album was “Pain of Oizys”. If there was one track to be considered a ballad on this album, this song would be it. It is beautifully orchestrated in the most death metal way and is actually one my favorite songs on the album. 

Erebos: a place of darkness in the underworld on the way to Hades. That is the journey you will take while listening to Venom Prison’s fourth musical installment “Erebos”. And when you come back, you will yell to metal gods: album of the year. 

The Importance of Black History in the Music: 28 Artists + Their Impact

When you think of rock music, your mind usually thinks of Led Zeppelin or the Beatles. What most people do not realize is the origin of rock music came from black blues artists. Black musicians have shaped the music industry through social change, poetry, and the creativity of the sonic sound of blues rock and Rock N Roll jazz, along with other genres of music.

In the late 1800’s, Blues music became popular amongst slaves. Blues was mostly popular in states such as Mississipi and Louisiana during the great migration of slave workers. Blues rock was especially popular during the civil rights movement in the late 50s through the early 60s. Their poetic lyrics discussed topics of racism, segregation, and social change. Jazz and Soul became very popular during the Harlem renaissance around the time of the great depression. Musicians protested through their music. Artists such as Donna summer, Sam Cooke, and Etta James are known for being some of the most creative and outstanding black musicians in the music industry.

For Black History Month, I listened to 28 different black musicians. Here is the list and what I learned about them…

February 1st Aretha Franklin: Respect is what everyone should be giving to Aretha Franklin. Some of her greatest hits are “Respect’, “I say a little prayer”, and my personal favorite “You make me feel like a natural woman”. Josh Kiszka, the lead singer of Greta van fleet has said in many interviews that he sings along to Aretha Franklin songs before he performs because it calms him down. Franklin was a trailblazer in the music industry and will never be forgotten. 

February 2nd Jimi Hendrix: Although he did not live very long, Jimi Hendrix released some of the most iconic music in rock history. His most Iconic album is 1967s Are You Experienced. Hendrix was one of the first black musicians to turn blues rock into rock n roll. He’s influenced many musicians such George Clinton and John Mayer. Jimi Hendrix died at the early age of 27 and is missed by many. 

February 3rd Ronnie Spector: We can all collectively agree that the world was shook when legend Ronnie Spector died on January 12th. She is most commonly known for her music group The Ronettes and their iconic song “Be My Baby”. Known as the “Bad girl of Rock”, Spector inspired musician Amy Winehouse and many other female musicians. 

February 4th Sam Cooke: His music career started at church. Gospel music was a huge inspiration for him as he joined Soul Stirrers, a popular gospel group in the 50s. Through prayer and music Cooke was a huge activist against racism and violence. “A Change is Gonna come” brought up the trauma of racism but also hope for the future. Cooke was the first black musician to be involved with the business and marketing sides of the industry and brought people of all races together. 

February 5th Elmore James: Known as “King of the slide guitar” Elmore James inspired artists such as The Rolling stones and Eric Clapton. James released hit songs such as “The Sky is Crying” and “Shake Your Money Maker”. In 1980 he was inducted into The Blues Hall of Fame. In 1992, he was inducted into the Rock N Roll Hall of Fame. 

February 6th Muddy Waters: Inducted into The Rock N Roll Hall of Fame in 1987, Muddy waters was known as a post war blues musician. His most popular song “I’m your Hoochie Coochie Man” has unique a sexy blues sound that gives the song an iconic vibe. Waters was most known for performing in small Chicago bars as he enjoyed more intimate performances. 

February 7th Little Richard: Not only was he a music icon but he was also a fashion icon. Known for his very flashy outfits, little Richard was a trend setter. He inspired Elton John when it came to his fashion choices and his skillful piano playing. Little Richard died at the age of 87 from bone cancer and will always be remembered for his feminine fashion choices and hit songs. 

February 8th Stevie Wonder: Probably one of the most creative and outstanding musicians ever, Stevie Wonder has won multiple grammy awards and was inducted into The Rock N Roll Hall of Fame in 1989. Being blind since birth never stopped him from enjoying and creating music. Wonder was a child prodigy known for his Motown and Hip Hop sound. 

February 9th Ben E. King: Known for his R&B soul sound Ben E. King is remembered for his beautiful song “Stand By Me”. His deep raspy voice and heartfelt poetic lyrics inspired peace love and unity during the civil rights movement. King died on April 30th 2015 from old age. 

February 10th Chuck Berry: Known by many as “The Father of Rock N Roll” Chuck Berry found music through school but mostly church. His most popular song is “johnny B. Goode” with the intro being one of the most famous guitar riffs of all time. And to note: Berry once said his career was “one long Sister Rosetta Tharpe impersonation’. Tharpe was a black female musician who invented rock n roll with her upbeat guitar playing.

February 11th Etta James:  Known as a gospel prodigy, Etta James was a powerhouse in the music industry. Her most popular song “At Last” is probably the number 1 wedding song. She is known for her love ballads and deep sultry rhythms.  She started singing in her church choir at the age of 5 as she had a beautiful smooth tone to her voice. James changed the industry for woman but especially for black woman as she gave the community a voice. 

February 12th Louis Armstrong: one of the greatest trumpet players of all time, Louis Armstrong shaped the jazz industry. His most popular song “What a Wonderful World” has been featured in many movies. He was the first African American star in a Hollywood film. Armstrong died at the age of 69 from a heart attack. 

February 13th Duke Ellington: Known for composing some of the greatest jazz songs in the late 20th century such as “in A Sentimental Mood” and “Sophisticated Lady”. Duke belonged to the biggest Jazz bands, and toured all over the world. He has been nominated for a Pulitzer Prize and awarded a doctor of music degree from Yale University. 

February 14th Maurice White: Co-founder and lead singer of the R&B music group Earth, Wind & Fire Maurice White was one of the first musicians to create the sonic sound of funk music. Known for their top songs such as “September” and “Let’s groove” Earth, Wind & Fire performed with and energetic spirit and flashy 70s and 80s fashion. White died at the age of 74 in his sleep.

February 15th Donna Summer: Known for her 70s hit “Hot Stuff”, Donna Summer slayed the Rock and Disco industry. She was called the “Queen of Disco” because of her amazing voice and catchy songs. Summer died at the age of 63 from Lung cancer. 

February 16th Anita Ward: “Ring My Bell” was one the biggest Disco songs in the late 70s. Anita Ward has released music all the way up until the late 2010s. Her voice has a soothing high pitched tone that goes unmatched. She has inspired singers all around the world and is still living today.

February 17th Joan Armatrading: Known for her amazing guitar skills, beautiful voice and outstanding songwriting, Joan Armatrading is one of the most underrated 70s rock musicians. Still alive today and releasing music she has grown a huge following. Some of her most popular songs are “Love and Affection and “Drop the Pilot.”

February 18th Peggy Jones (Lady Bo): Known for her work with Bo Diddley, Lady Bo was an amazing yet underrated guitarist. When she was 10 she started playing the ukulele, then later started playing the guitar. She was the first female hired by a major rock artist and the first female to start her own blues rock band. Jones died at the age of 75 in 2015. 

February 19th Tracy Chapman: Her poetic songs and deep smooth voice makes me cry. Her most well-known song “Fast Car” sheds light on issues such as racism and growing up poor. She has won multiple Grammys for her folk rock music and is still alive today at the age of 57. 

February 20th Patti LaBelle: “Lady Marmalade” was her most popular song and a smashing hit in the 80s. With her incredible vocal range and girl-boss attitude, Labelle owned the Soul and Disco industry. Still alive today she is named “The Godmother of Soul.”

February 21st Diana Ross: Still alive and releasing music today, Diana Ross is a trailblazer in the music industry. Known for her solo music including releases such as “I’m Coming Out'“ and her work Lionel Richie and their hit song “Endless love”, Ross is an incredible performer. Her last album came out in 2021 and she continues to release new music. 

February 22nd Lionel Richie: Known for his famous song “All Night Long” and now you can catch him as a judge on American idol. Richie is a very talented artist whose career started in the mid 80s. Still releasing music today, Lionel’s voice has not weakened one bit. 

February 23rd Tina Turner: “What’s Love Got to Do with It” was Tina Turner’s number 1 song in the 80s. “Proud Mary” was her 90s hit along with her album What’s Love Got to Do with it? At the age of 82, she is still releasing music today.

February 24th Marvin Gaye: Known for his devilish good looks and sexy songs, Marvin Gaye was a 70s heartthrob. Some of his most popular songs were “Sexual Healing” and “Let’s Get it on.”  Along with iconic classics like “Ain’t No Mountain High Enough” and “I Heard it Through the Grapevine.” Gaye unfortunately passed away at the young age of 44.   

February 25th Nina Simone: One of the most mysterious musicians of all time, Nina Simone, released some incredible music. “Feeling Good” and “I Put a spell on You” are two of her most Beautiful and sexually powerful songs ever.  (Editors Note: If you haven’t watched it, we highly recommend watched the documentary, ‘What Happened, Miss Simone?’)

February 26th Nat King Cole: Famously known for his jazzy love songs and Christmas tunes, Nat King Cole revolutionized jazz music. “L-O-V-E” is his most popular song as its been featured in many films. Cole died in 1965 at the age of 45.   

February 27th Marian Anderson: Her operatic voice is hauntingly beautiful. Known for opening the doors for other African American musicians facing discrimination. Anderson sung mostly Christian and spiritual music. She was the first black woman to sing at the Lincoln memorial and at the New York Metropolitan Opera. Her rendition of “Ave Maria” is still one of the most memorable performances in the White House. Anderson Died in 1993 at the age of 93.  

February 28th Leontyne Price: Still living today at the age of 95, Price is one of the most popular Opera singers to date. Price was the first African American to achieve an international reputation, becoming the first African American leading soprano of note. She also studied at The Julliard school of music which is where her career really began to take off. 

28 days is not enough to fully encapsulate the impact Black artists had and still have on music. Their history should be celebrated year round. Black artists were crucial in the making of some of the greatest music of all time.

Check out some charities and non-profit organizations to support and donate to below…

Black AIDS awareness: https://blackaids.org 

Apollo Theater: https://www.apollotheater.org 

American Civil Liberties Union: https://www.aclu.org

Harlem Academy: https://www.aclu.org 

Seeing Double Bring the 70s to 2022 With First Release “Leah”

Your new favorite 70s rock band is here, and they just dropped their first release?

A new band called Seeing Double popped up on my TikTok For You page a few weeks ago, just brushing their teeth while their first release, “Leah,” played in the background. It only took a few notes to instantly have me hooked – their promo tactic worked!

With ABBA-esque harmonies and the musicality of Fleetwood Mac with a touch of ELO, “Leah” is undeniably catchy while still retaining that haunting, witchy vibe that Stevie Nicks brought to the masses all those years ago. 

It’s incredibly well-produced – it’s balanced and has that 70s feel without it feeling forced. And this group is tight. Their harmonies snap brilliantly into place, it’s clear they know how to handle their instruments to give the track the sound they want – they already sound like pros. This isn’t one of those groups that’ll take a few albums to find their groove; they already have it. 

Even lyrically, “Leah” evokes the 70s. I could promise certain death / and storms on Venus hold their breath… the moon’s a marble in her hand / I watch the tides roll from the sand – these are lyrics you’ll only find from modern artists who take their inspiration from the rock ‘n’ roll of yesterday. It’s thrilling as a 70s enthusiast to find another band of today incorporating those themes, especially from a band as young as this one is.  

“Leah” is no doubt the first of many harmony-laden, retro-tinged jams from Seeing Double that you’ll be throwing on your playlists as fast as they come out, and I’m already excited to hear what they do next. Until they drop their next masterpiece, I’ll be spinning “Leah” (and its B-side, “Don’t Wait”) non-stop, and hey, friendly reminder, don’t neglect the music you hear on TikTok. 

REVIEW: Wallows Kick Into New Era with 'Especially You'

As a diehard Wallows fan, I’m ecstatic that the new era has kicked into overdrive. The dynamic alt-indie trio has released their latest single from their newest album, Tell Me That It’s Over, set to release March 25th. Especially You is a song about the initial beginning stages of entering a new relationship.  If you’ve ever been in a relationship or you’ve been in endless “talking stages” there’s a 99.99999% chance you can relate to this song. (I know I sure as hell can.) ‘Especially You’ hits the nail on the head and accurately describes how oftentimes we are the ones getting in our own way. How miscommunication and spiraling intrusive thoughts can get the best of you. 

“Thinking 'bout what you just said

Sleepless, now my eyes are red

My head can't comprehend

Living in the background, wondering what you meant

That's when my eyes got red

Thinking 'bout what you just said

Some things leave me confused

But especially you.”

What I absolutely adore the most about Wallows is how they are continuously raising the bar and expanding their sonic evolution whilst staying true to themselves. This lively single will make you feel like you’ve stepped into a “coming of age” movie. To be honest, that’s how I feel anytime I listen to Wallows. There’s a reason why their music has reached the masses and is continuing to do so. Wallows’ music is honest, full of life, and zestful. Most importantly, it leaves you feeling fulfilled and understood. 

I’m counting down the days for the album release of, Tell Me That It’s Over. Honestly, so should you. I wholeheartedly believe we’re all in for a treat. 

In the meantime, Stream ‘Especially You’ on all stream platforms and check out the music video.

I’m so proud to be a Wallows fan. 

Hickeys ‘Motherlode’ Is Wild and Intimate, a Debuting Tour De Force

On their anticipated debut, Motherlode, Hickeys (the nascent grunge foursome in Madrid) let it all hang out in a miasma of confessional heartache that’s been locked in a compelling generational heart-shaped box. It is a surreal, experimental, avant-garde album: moody, poetic and fraught with intense conflict. Gestures of grieving and mourning over false and withheld promises of a world in present decompose, a motherly witches’ sabbath (in the form of being born with horns) takes on carrying the lode as a form of healing for all and sundry in eloquently solemn communion and reclaiming rebirth. 

Hickeys, circling around in immense meditation by virtue of anger and frustration, shifts their volatile voice from quiet caress to raw-throated fury. The eye-popping band feel there’s no place like home within the walls of the ‘90s darkwave scene with their ominous, risqué, atmospheric sound. 

‘Circuit Lies (You Don’t Have To Know)’ showcases a different bruise of Hickeys, a more diamond in the rough sound of heavy-punk rawness since their fun and carefree song, that was “Hickey Hickey Bang Bang.” The music video, wherein menacing red strobe light falls, is especially haunting. Hickeys pen a pent-up thrilling mystery of repetitive tightrope leisure, where motionless mannequins substitute for socialite strangers in gatherings that lack the ability or strength to move nor speak or display any emotion. Tortured souls genuinely look heartless. 

During the two uncensored decades that MTV has been a flagship of cutting-edge cable-television and mind-blowing musical montages, many of the musicians and video directors have showcased intense, calculated, and a little intense choreographic works of visual art. And as for Madrid’s Hickeys, all dappered in white slick suit lounge attire, pigeonholed through security cameras into drunken reverie, and has pursued to obey the same “creepy and eerie” theatrics across the screen — hence dragging mannequins in place of human beings and making them more captivating to watch.

And for those who aren’t familiar with Courtney Love and her role as the frontwoman of Hole, the brooding imagery and the reality of Hickeys, an emerging hard-to miss, kiss bite, bite kiss (as their name suggests), would make the late Kurt Cobain of Nirvana blush. 

The debuting Motherlode album, operative to be released in 2022, explores new territory for an uninterrupted youth and pushes against commercial forces with their cavernous, grunge-inspired explicit trash-rock anguish of young America in the nineties. Characteristically, a musical vision of togetherness through conflict, and even fear. There’s no tantrum, argument, and or drama within the head-turning foursome, just a genuine relationship between best friends, in essence, sisters. 

Motherlode, irresistibly, is a wild and intimate tour de force; a melancholic portraiture of modern noise-rock that prizes old-school intimacy and captures how far the band is willing to defy expectations. Hickeys, with more sharply honed songwriting have sharpened their songstress focus, it doesn’t get any more Sonic Youth meets Stereolab than this unblemished masterpiece! This could be their breakthrough album. Take a backwood spliff and inhale the therapeutic smoke of this loose leaf roll up and listen to their discographic coup de maître, Motherlode, and try to tell us we’re wrong.

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The Knee-Hi’s Release Dreamy, Nostalgic Debut Album “Charmed”

Suffice it to say, I’m a sucker for anything nostalgic. As a self-proclaimed “old soul”, there’s nothing I love more than bell bottoms, throwback seventies jams on vinyl, and anything that can take me back to the magic of decades’ past. That’s why I was so thrilled to discover Chicago girl-group, The Knee-Hi’s, right before the release of their very first LP. 

The group describes their sound as blending “the explosive energy of rock and the romanticism of doo-wop to sweep you away to an atomic dreamland”, and, without a doubt, they have succeeded in this premise. The Knee-Hi’s are a blast from the past existing right here in the present. One look at the band, and you’ll swear they walked right out of 1975. Not only is their style and image reminiscent of days gone by, the band has successfully culminated a sound that is all their own, but with prevalent influences of pure rock and doo-wop across the board. Listening to their music, I’m reminded of old-timey, romantic crooners of the fifties and sixties, such as Lesley Gore, The Ronettes, The Supremes, and even The Mamas & The Papas, while at the same time, the essence of pure, punchy, energetic seventies rock n’ roll shines through, making me think of Suzi Quatro, Blondie, and especially, The Runaways. 

Charmed, the debut installment from The Knee-Hi’s, was released worldwide on 2/2/22, at exactly 2:22 AM. According to sacred numerology, the number 2 is known as a supremely feminine force, representing both grace and power. It is associated with harmony, balance, partnerships, sensitivity, intuition, and love, all of which are showcased throughout the album. I was very intrigued at the band’s creative choice of release timing, and with my love for numerology and all things mystical, knew this LP would be a fun one to fully immerse and dive into. 

So, without further ado, here is my track-by-track review of Charmed…

DARLIN’ DARLIN’

The band’s debut single, and opening track, Darlin’ Darlin’, whisks you away to a romantic dreamland in the clouds. A soft, gentle beginning to the musical journey the listener embarks on for the duration of the album, this song brings all the Valentine’s Day vibes with dreamy harmonies, melancholy lyrics of longing and desire, and mellow, hazy instrumentals. Staged Haze describes the song as “like slipping into a warm bath in a claw-foot tub”, and I couldn’t agree more. Darlin’ Darlin’ is a handwritten love letter, sprayed with rose perfume, a gentle, tender kiss on the lips, a lover twirling you during a romantic dance, a dimly lit candle flickering in a dark bedroom. Darlin’ Darlin’ is what dreams are made of. 

MELVIN

“Tell you about who?”

“My baby”

“Your baby?”

“My baby, tell ya ‘bout my baby”

Following the sudden, abrupt ending of the album’s opening track, Melvin thrusts the listener into a jumpy, catchy tune, in which the band describes a lover and sings their praises. With a simple but funky melody, I could easily see myself in a crowd jumping around and chanting the chorus with other enthusiastic fans. It’s hard not to get the infectious melody stuck in your head, and Melvin makes a great, fast-paced follow-up to the soft and gentle opening track of the album. 

ACTION!

The band’s second single, and my personal favorite track of the album, Action! opens with the highly relatable lyric “Wake up in the mornin’, ain’t feelin’ so well, I wanna kick and scream, I wanna really yell”. An anthem for all those (like me) who adore weekend nights out on the town and the sublime spectacle that is live music, Action! describes the universal yearning to go out and just have fun, which is so felt during these cabin-fever-ridden, isolated, pandemic days. I definitely hear The Runaways in this track, and I especially love the primal yell heard right before lead guitarist Alice shines with a passionate, energetic solo. Overall, Action! will definitely be on repeat every time I get ready for a night on the town, y’know, to ~set the mood~. 

FUN AT THE BEACH

Lighthearted, campy, carefree and expeditious, Fun at the Beach sounds like summer and sunshine in a song. Clocking in at just under two minutes, this track combines the feelings of teenage rebellion, freedom, and the uber-importance of soaking up youth and making memories, with the song ending just as quickly as it began, perhaps a metaphor for how fleeting the summer, and youth in general, can be. In this song, I hear a little Beach Boys, and even hints of Violent Femmes’ “Blister in the Sun” and The Ramones’ “Blitzkrieg Bop”. All of these influences combine to make a very enjoyable interlude tune, one in which I’ll definitely put on next time I go seeking sun and sand. 

MAKE YOU MINE

“Listen up boys, here’s a taste of your own medicine”

Oh boy…I am in love with this track. Make You Mine is a tongue-in-cheek tune in which the group reverses “traditional” roles of men relentlessly pursuing women, with brutally honest lyrics about the reality of being followed, harassed, stalked, pursued, by someone who just won’t give up and take no for an answer. Even though the instrumentals sound light and sugary, a close listen to the lyrics will reveal the song is anything but a love letter to men. This particular spoken exchange between the band speaks for itself, further proving the point of the song:

“I heard he got a restraining order.”

“Another one?”

“It was more like a request.”

“You gonna see him again?

“What do you think? Nothing’s gonna get in my way!”

WHAT A WAY TO DIE

“Well baby come on over, come on over to my side, well I may not live past twenty-one but, whoo! What a way to die!” 

Live fast, die young, this song says. In a similar instrumental style to Melvin, but with some country influences, What A Way To Die is a brisk, energetic ode to lust, drinking, partying, and good ole fun. This is a tune I could see myself dancing and jumping around to, and enjoying a round of shots with friends, celebrating youth and good times. Cheers! 

FIRST 10

I love the harmonies on this track. First 10 is a catchy, fast, tune that unapologetically confesses devotion to a longtime lover. Starting with the line, “It’s been so long since I admired you from afar”, this song is a success story of a love gone right, with the chorus ending with the line, “The first ten years with you could be the best I’ve had”. This song shows the true security and happiness that comes from being in a long-term relationship, and having it work out exactly how you hoped it would. 

TEENAGE KICKS

“Are teenage dreams so hard to beat? 

Every time they walk down the street

Another babe in the neighborhood

I wish they’re mine, they look so good” 

What a delightful surprise! The Knee-Hi’s have taken the 1979 hit by Irish rockers The Undertones and breathed new life into it, energizing and speeding up the song and putting their own spin on the classic, diversifying their album with a fun cover in the midst of all-originals. Dare I say it, I like this version more than the original! Something about it is just infectious. I can definitely see this one hyping up a crowd and getting folks singing along. Kudos to the band for such a fun choice of cover, and an excellent job in covering it. 

DAUGHTERS OF FIRE

“Wanted by many, tamed by none

Earth couldn’t hold her, she could kiss the sun”

Remember the numerology lesson we touched on at the start of this review? It comes full circle in this track. Celebrating femininity, women, power, confidence, independence, tenacity, and union, Daughters of Fire is a jumpy, electric feminist anthem - honoring the divine feminine, friendship, and women in general in a most rock n’ roll way. This has easily become another favorite of mine on the album, and has also found its way into my “confident bitch anthems” playlist. The whole band shines extra bright on this track, and they should be very proud of the magical, empowering anthem they have created. I, certainly, will be playing this one anytime I need a boost or a pep talk. 

As Beyonce once said, “Who run the world? Girls!” 

(FAST) DARLIN’

I’ve gotta say, this is a very creative way to end an album. Circling back to Charmed’s inaugural track, (Fast) Darlin’ is the slow, dreamy, romantic doo-wop song reimagined as a rapid, raw, bass-heavy rock n’ roll banger, complete with loud and proud group vocals, yelling, and punk influences. I absolutely love this choice of a closer. This is the song that plays as the credits roll in The Knee Hi’s feature-length film, tying up all the loose ends and impressing the listener with the band’s ability to show us two sides of one song. I can’t sing this tune’s praises enough. You’ll just have to listen for yourself!

“So won’t you hold me and tell me goodbye, before I lay here, aaaaaaand DIE!” 

All in all, I am extremely impressed with this album, and I’m so stoked to see what else The Knee-Hi’s will release in the future. Be sure to check out the band on social media, streaming services, and YouTube, where bassist Devyn Crimson, rockstar and vintage fashionista extraordinaire, runs a channel dedicated to beauty, style, band vlogs, and much more.

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REVIEW: Summer Years Heat It Up With New EP

San Diego shredders Summer Years invite you to live out your dream vacation through new EP You Can't Live There Forever. This six-track EP captures memories of summer past and present, and is your ideal band no matter what season it is. While you’re dreaming of sandy beaches and drinking martinis, Summer Years are there for you whenever you need them.

Leading off is “The Picture You Paint” featuring repetitive guitar riffs and melodic harmonies. With relatable lyrics such as “I’m heading towards my oasis,” you’ll feel motivated to take control and live your best life. The music video captures the band rockin’ skinny jeans and converse, while the fans are soaking up the buzz. “Blue Skies” continues the journey of finding yourself and letting go of the past. Expressing feelings of becoming a better version of yourself and the direction you’re heading, it’s the perfect song to scream to in your car.

 Traveling into “This Light,” it presents the boldness of pop-punk with its encouraging lyrics to “chase this light.” This track will encourage you to progress in your life and be yourself, with having the perfect soundtrack to back you up. “What You’re Made Of” is the most motivating song on this EP due to its hopeful lyrics to show people what you’re made of. With recognizable guitar riffs to kick it off, you’re welcomed into a secured environment. Lyrics such as “Open your heart up, what you’re made of, who you are is enough, what you become” will have fans falling to their knees. 

“Not Letting Go” explains thoughts of the struggle to move on, holding on to certain feelings, and figuring out how to get your shit together. The peak lyrics of this track are “The only thing in this life worth pursuing is what you believe” that will motivate you mentally. Sounding like a “pirates life for me” vibe with swaying melodies and upbeat guitar riffs, you’ll find this song stuck in your head constantly. Closing it out is “Small World” which is the first-ever ballad from Summer Years. This track slows things down completely, producing calming vibes with soothing cellos and romanticized vocals. “Small World” circles back and analyzes the romantic side of pop-punk. You Can’t Live There Forever ends with such melodious harmonies and easy-going riffs, you will be perfectly satisfied with its entirety.

Summer Years have made it known they are breaking down walls and challenging you to listen to something new, yet familiar. With influences by the likes of Blink-182 and Jimmy Eat World, Summer Years are the band that builds bridges between pop-punk generations. You Can’t Live There Forever is the perfect EP for your summer playlists and I’m ecstatic to see what the band does next!

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Maine Band Katahdin Release Single with Great American Ghost, “Sovereign of Pain”

Hailing from Southern Maine, Katahdin are the newest hardcore 4 piece to keep an eye out for. The band have been releasing headbanging masterpieces since the beginning with a single called, ’Separation’. During the start they released immaculate singles. Since the release of their last 3 track EP, No Longer Room For Us, we have been served ‘Sovereign of Pain’. The song features Great American Ghost vocalist Ethan Harrison. 

Katahdin’s vocalist Max Calkins brings the never ending heat with enticing screams to go along with each lyric, crafted into an amazing fit to bring Harrison into the mix. The addition of driving riffs just as the song begins, bone crushing mixed drums, bass that rattles beyond compare, the list could go on and on. If you like heavy, this one's for you. 

Check out the track below:

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ALBUM REVIEW: Another One Down! Captures Hearts With “A Bitter Descent”

Rhode Island’s Another One Down! are on their way to becoming your new favorite pop-punk band with their debut LP, A Bitter Descent. Having released singles and EPs since 2015, the band has finally released a collection full of instant hits. Expressing heartbreak and devotion along with youthful stories, you’ll be questioning if you’re in 2002 or 2022.

A Bitter Descent kicks off with ballad “Please Don’t Walk Away,” already pulling you into nostalgia with alluring vocals. Capturing the emotional sentiment of young adults struggling with romantic relationships in its lyrics, it’s easily relatable. This track will leave you longing for spending summer nights with someone special. “Empty (Without Me)” expresses the total pop-punk attitude with its catchy guitar riffs, upbeat tempo, and bitter-sweet vibe. Lyrics such as “Do you lye awake and contemplate why you can’t find relief?” will engage listeners and have them craving more. 

Pulling you into its charming melodies, “Sulk” features heavy basslines, captivating guitar riffs and a memorable chorus. The song presents an ‘everything’s fine’ effect and will have you reflecting on past decisions. “Headspace” offers sensitive lyrics that get inside your head and dig deep. The touching music video expresses emotional damage and what one toxic relationship can do to someone.

Traveling further into harder hitting track “Exeter,” you’re shown a different side of Another One Down! With thundering drums, rapid guitar riffs and howling vocals, you’ll find yourself jumping around to the track wherever you may be. “High” slows things completely down and challenges you with a softer ballad than the first track. The lyrics “You’d rather be high than be with me” are a statement that is often too true in relationships. Picking up the tempo mid-song, the band reminds you that even slower songs can still hit hard. Continuing with the softer vibe, the title track closes it out with the perfect sendoff of mixing pop-punk upbeat tracks with swaying lyrics that will capture your heart forever. Lyrics “The farther I fall, the harder it gets, to pull myself out of the thoughts in my head they’ve swallowed me whole, as I finally fall to my bitter descent,” symbolize closure of the album and tie everything together. From front to back, A Bitter Descent confesses a story and you don’t want to miss out on the ever-lasting journey. 

Since 2015, Another One Down! has been producing rock tracks proving they’re the new wave of pop-punk and have matured into their latest work with A Bitter Descent. With already having dedicated fans, the band is making their mark in the music world and letting them know the band is here to stay. Another One Down! has graced me with a timeless collection of tracks that will live with me forever in my pop-punk heart. I’m elated to see what the band produces next!

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Mike Campbell & The Dirty Knobs Kick Off New Album Era with Rocker “Wicked Mind”

Mike Campbell & The Dirty Knobs surprise-released the first track off their upcoming record, External Combustion, “Wicked Mind”, much to the delight of Dirty Knobs fans everywhere. With its undeniable catchiness and pure rock ‘n’ roll energy, if this track is how they’re choosing to introduce this record, I can only imagine how kickass External Combustion is going to be. 

There exist songs that simply put, “scratch an itch,” and this is one of them. With snappy electric guitar and jangly acoustic, a driving beat, a bouncy bassline, a catchy melody, and just the right amount of that magic stuff that only Mike Campbell can provide, “Wicked Mind” is an earworm in its purest form. I found myself bopping to it for hours after hearing it for the first time because of how it scratches that rock ‘n’ roll-loving part of my brain in the best way. 

You can hear Tom Petty & The Heartbreakers in this track (of course, because Campbell co-wrote AND played lead guitar on many of the TPATH tunes you know and love – Petty played rhythm guitar generally), but it still stands out from Campbell’s work with TPATH. While much of what they do is reminiscent of TPATH, when The Dirty Knobs get together and make music, it is undeniably The Dirty Knobs. Their brand of rock ‘n’ roll has no age – you could tell me this song was released in the 80s or yesterday, and I’d believe you either way. Songs with Campbell’s stamp on them are timeless in that way. 

To top it all off, the release of this new track was accompanied by a brand new music video showcasing one of the things that truly makes a band “rock ‘n’ roll,” a sense of humor. The video follows Campbell seeking to escape death after waking up in a coffin in the back of a van. His captor chases him from his burial site to the show his band is playing without him, before she ultimately catches him in the parking lot, finishing the job and burying him in the hole. There’s a goofiness to the video that only comes through when you watch it, but it’s evident that this band doesn’t take themselves too seriously, quite an admirable quality in my eyes. 

If for whatever reason you weren’t convinced of the group’s talent from their 2020 release, Wreckless Abandon (though I truly don’t see how you couldn’t be), let this be the track to sway you in their favor. “Wicked Mind” is rock ‘n’ roll at its finest, and I can’t wait to hear this one when I see them at the end of March. I’m calling it now – it’s gonna be a crowd favorite. It’s certainly one of mine.

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SH!NER Shows That He's a Shining Star with Debut EP

SH!NER’s debut EP, which consists of three songs titled “god in the mirror”, “Stranger”, and “ARTFUQ” all have their own kind of story to tell and listening to each song on the EP feels like turning a page in a book; a book that has you hooked and only makes you want more. 

Starting off with the first song, the title track of the EP - This song is give-you-goosebumps worthy. Especially when hearing the lyric, “If you wanna meet god, look in the fucking mirror.” The song is a combination of a piano ballad and the early 2000’s emo era. That combination in itself shows a strong start.

Next, we have “Stranger”. This song chronicles a story of a lost love and SH!NER’s voice and style really captures the emotion of lost love. It has a beautiful melody that is very soothing yet will have you shedding a tear as well. That melody along with SH!NER’s voice and lyrics is what makes this song as beautiful as it is. “Stranger” is definitely a standout track on the EP.

The third and final track on this wonderful EP is “ARTFUQ”. Now, you know how I mentioned that the first track has a mix of the early 2000’s emo era? Well, this song REALLY screams, “2000’s emo!” It has a sound to it that makes it so very enjoyable and easy to listen to. In fact, this is THE song to add to whatever playlist you have. “ARTFUQ” feels empowering and inspiring. It’s certainly one hell of a way to close out a great EP.

SH!NER has proved with this EP that he has a bright future ahead of him in the music industry. Every song is absolutely extremely enjoyable and remarkable. Each song showcases his talent and his ability to create wonderful songs. SH!NER, keep on being the shining star that you are and keep on creating fantastic bops.

THE BREAKDOWN E24: So What Fest, Upheaval Festival, + When We Were Young Fest

What’s up rockers form all across the world! Welcome to E24 of The Breakdown! Some major festivals have announced their lineups, so this week Rebecca & Justin sit down and break them all down.