INTERVIEW: Alexander Blackstar

Multi-expressionist artist Alexander Blackstar just dropped a new track and video, “Noir Presage.” His music and aesthetic are a legacy of American shock rockers like Alice Cooper, Marilyn Manson, Rob Zombie, Ozzy Osbourne, and Jim Morrison. As a descendant of several generations of painters, Blackstar attaches a lot of importance to the connection between words and visuals in his art. Read our exclusive interview inside the mind of Alexander Blackstar.

Firstly, huge congratulations on your newest single “Noir Presage “

Thank you for having me. I had a blast working on this single, I always try to do something different at each project; I've learned so much from making it.

Let’s discuss how you created this unique masterpiece, lyric wise how did you begin writing this?

Honestly, it came very naturally. I had the idea of using a raven's croak a few months ago before beginning the writing, I was waiting for things to get together. One day, on a piece of paper, I wrote the first words of the song "Today, I feel dead. I won't get off the bed. I see a raven by the window". Rain was pouring outside; everything was grey and so were my thoughts. I jumped on the occasion, musically, and continued to write the lyrics along with the music. I remember, the atmosphere was very obscure, darker than usual and therefore adequate to write this kind of track.

Is there an important significance to this song from your own personal life?

Like in each one of my songs, yes. I can't write if there isn't a certain proximity with my personal life or intimacy. Choosing this path in life confronts you to a lot of people that don't believe in you, especially at the beginning of your career; but I know my worth and the potential is high. They did everything to make me think that I'm worthless as an artist, because I wasn't suitable for their expectations, because I dare to take risks in order to grow and have a weight in the music industry without being approved by a label. This song is a response to them, after being silent for over one year; in order to go forward in my artistic evolution. I'm coming back to take my revenge, and it's gonna be deadly.

In the music video, you have multiple stages and sceneries is this a part of the meaning of the song as well?

Well, it could, but to speak my truth, I prefer visuals that are supporting and developing the general mood of a song. The meaning (or scenario) is always secondary to me, my first objective as an artist is to induce an emotional reaction to the public and it can't pass by the process of analyzing an intention. It needs to be frontal, primal; like when you're in the wild and you see a beautiful sunset. The colours are magnificent, you're seized by emotion but it has no particular meaning; or if there is one, it's the meaning of life itself. The sceneries are more here to visually express the metaphorical images that I had in mind when I wrote the song, in order to reinforce the emotional reaction that the spectator can have.

Your lyrics have a dark noir feeling to them, like an Edgar Allen Poe story, and it is said tormented artists create the best art, do you feel you need to tap into that when creating music.

Thank you for the reference. I believed this myth for a long time, that you need to be fucked up to create, but this thing will get you nowhere and will even be prejudicial to your art (and career) in the long term. Since the beginning, my approach has always been to write music to heal myself and to rebalance fate. Because even if I'm strong on the surface, I'm a damaged person and I don't need to add negative things to the ones that I already have. I want my story to end positively, not by a bullet in my head or by a needle in my arm.

While working on new music, how do your spark your creativity? Is it locking yourself away and focusing, listening to a certain artist for a theme, or does it just come to you?

Locking myself away to focus on writing is always a good start. I like to be isolated from everyone and everything I know, so I generally end up in another country or taking an AirBnb far away from my loved ones. Then I surround myself with books, movies, documentaries, all in taking the time to discover new things if I'm abroad. I can be uninspired and tortured for three weeks when a random thing sparks my creativity. You need to put yourself in the good conditions to create, but you can't control what the universe will bring ; it is what I learned, especially by making this record.

Who are some musical influences you feel that shows in your work?

I'm influenced by any kind of music, or art; but we'll find in this single my usual solo-rock singers’ inspirations like Alice Cooper, Marilyn Manson, Rob Zombie etc ... also a lot of Bauhaus merged with a dark pop vibe that has been inspired by what is on the top of the charts. I like my music to sound current, I'm not the conservative kind of person who says, "Rock and Roll was far better before”; I think we have a work of modernization to do in order to create what will be in the future "Neo-Rock". For that, we need to be competitive and to learn what makes hip-hop and pop such great products to sell. It passes by great visuals, styling, more modern sounds and of course innovations in terms of communication. 

In 2020, you released your first studio album, do you feel you benefited from the unfortunate lockdown, allowing new fans to discover you.

Yes indeed, Facing Hell came out just before the pandemic. Like in every situation, I took advantage of it and started to write the very first day of the lockdown. I won't say that it has automatically helped to discover new fans, they came naturally. But the mood wasn't focused on the Future at the time, and it wasn't a great period to think of what tomorrow brings. That's probably one of the reasons why I sing in the song "There's no Heaven for tomorrow". However, I feel we are now in a much better way of thinking and I'm persuaded that this crisis was necessary to turn the page of an old world that just didn't hold the line anymore. We're entering now into a new society made of innovations, and it inspires me more than ever.

Will there be a scheduled tour to celebrate your debut album with concerts returning?

I would love to go on tour! But I never do things by halves. When I'll prepare to hit the road, I will have a stronger community, hit songs and more balanced investments. It could take time, but it will happen. When I have objectives, I'm conquering them, and to go on tour is the main one.

For the rest of 2021, what should your fans expect to see from you, will there be another single release before the year is over?

I can tell you that a full album named Stellanera will be released on November 26th. Therefore, I can guarantee you and the fans there will be other surprises before the end of the year. So stay tuned.

Lastly, what do you want your fans to take away from in your music?

I just want to make them feel something, imagine new possibilities and dream. Because everything is possible when you have ambition and have the guts to take risks. I want to embody this new generation of alternative people who believe in music, art and exchanges in the same way that more experienced rockstars did for me. They made my life better; it is now time to pass the favour.

REVIEW: Moon City Masters Release the 'Real Thing'

And just like that - The Moon City Masters have released yet another fantastic bop. They seem to always know how to reel us in with their music. So HOW good is “Real Thing”? Let’s find out…

One thing for sure - The Moon City Masters always bring in fantastic harmonies and high quality production. “Real Thing” is certainly no exception. This song is very reminiscent of something you would hear in the 70’s. The vibe is cruising down a highway with this song playing on full blast, wind blowing in your hair and all.

This could also be a perfect dance song. Play this at a party and I guarantee you, everyone is going to be up on their feet dancing. ‘Real Thing’ is the ultimate dance song.

The Moon City Masters are the MASTERS of bringing in people with their music and the talent they put on display is nothing short of infectious. Let’s give a huge cheer for these amazing dudes and ‘Real Thing’!

Next month, catch Moon City Masters on a few tour dates with our friends, Joyous Wolf!

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VIDEO REVIEW: PAGING DOCTOR MOON'S 'LOST MY BODY'

On October 9th, Paging Doctor Moon released a brand new music video for their song, Lost My Body. Earlier this year, I had the opportunity to sit down with lead singer, Kirsten, to chat about Paging Doctor Moon's debut album. (Watch it here.) To say that I was ecstatic to find out about the music video is an understatement.

The music video was shot and directed by William Walker Films. Let me tell you, William Walker Films did not miss. They grasped the true essence of the song and cinematically brought it to life.

In the music video, you watch Kirsten followed by the "ghost" of the person she's trying to release. No matter where she went, the ghost followed her. It wasn't until the end of the music video, Kirsten was finally able to escape from the ghost of her past.

This hauntingly beautiful music video excels at capturing the inner turmoil that comes with holding onto something that no longer serves you. It captures the raw emotions and the cycles that we go through to break free.

"Throw your words
With the precision of a knife
Spill my blood
But the delivery was kind
Lose myself
Oh, just the way you like
Here I am, here I stand
Taking back my life."

As she exits out the front door, you can see the ghost of her past staring at her. The ghost is unable to reach her anymore as she's taken her power back. She has cut cords and removed herself from the binding that held her captive. As she proceeds to walk away, not once does she look back. She walks away with her head held high and with an inner knowing that she did the right thing.

This music video is powerful and captivating. Paging Doctor Moon truly knows how to tug on the heartstrings while reminding listeners that it's possible to start over and turn a new page. It's never too late to "take back your life."

SlipKid: The Musical Celebration of The Who

You may know him as the frontman of Extreme, or even as Van Halen’s third lead vocalist, but most don’t know that Gary Cherone, along with his older brother, Mark Cherone, have joined together and formed the band, SlipKid. Now, SlipKid is more than a cover band, it’s a musical journey that celebrates the music of The Who. On one very special Friday night, Gary, Mark, and the rest of the band, took the audience at Blue Ocean Music Hall in Salisbury, MA on this magical, musical journey.

Before our journey with SlipKip began, singer-songer, Charlie Farren, took the stage as the opener for the show. Personally, I was so excited about this because I love Charlie and I could not think of anyone better to open the show. Charlie is most known for his work with The Joe Perry Project, but later was in his own band, Farrenheit. During his set, he performed songs he’s recently written for a new project and also shared stories from his “long-legged” life.

The reason why I think Charlie was the perfect opener for this show is because he knows exactly how to make the audience have fun. Song after song, he never stops smiling and you can just tell that he’s having a blast on stage. His positive energy is so contagious, you can’t help but feel happy when watching him.  He is also very interactive with the audience and makes them part of his performance. A true performer right there. 

After Charlie’s set, the lights dimmed and you started to hear “Join Together” playing on speaker. It gets louder and louder building this huge anticipation and that was how SlipKid made their grand entrance. Before you knew it, they were on stage performing “I Can’t Explain”, a fabulous choice to kick off their set. From then on out, they did not stop and kept going song after song with no break in between. The only time they stopped was maybe about halfway through their set because they “rocked a little too hard” and knew the audience needed a break more than they did. It was true, I did need a break after everything I was witnessing. 

The whole night was filled with all of The Who’s greatest hits. The only songs they performed that weren’t really huge hits were “Tommy Can You Hear Me?” and “Long Live Rock”, which that song closed the show. Mark even sang lead on a few songs! About halfway through the set, SlipKid left the stage and the room went dark. Just like in the beginning of the show, The Who starts playing over the speakers, but this time it’s “I am the Sea” that is playing. Eventually as the song built up, the lighting was just going crazy and you just knew something magical was going to happen. SlipKid then came back for their second set and followed “I am the Sea” with “the Real Me”, just like how it plays on Quadrophenia. 

Gary Cherone in my opinion is one of the most underrated frontmen in music history. Not only can he sing any song known to man, but how he performs is so unique. The way he moves on stage, the way he interacts with the audience, the way he connects with the people in the front row, a lot of frontmen don’t have that but Gary has it down so perfectly to where he’s using up every inch of stage that is made available to him. From jumping off the drum kit to getting on his knees and holding hands with the people in the front row, it’s mesmerizing to watch him perform. 

Mark was even running around the stage and jumping off the drum kit, too. You could very easily tell that they were brothers and if you didn’t know that going into the show, it didn’t take you long to figure it out. They just had that sibling chemistry when they were performing and interacting with each other on stage. 

At the very end during the encore, something happened that I have NEVER seen happen at a show before. But before that, during the show I noticed that there just so happened to be an empty table right at the front of the stage. Didn’t think much of it other than it was a weird coincidence. So fast forward to the end, Gary was at the very edge of the stage singing away, like one does, and then he dropped to knees. Then all of a sudden he stops singing and just flops right onto that empty table. It did not stop there. He kept doing this over and over and was throwing himself over the table, chairs, and even the people. It was like he became possessed and I honestly couldn’t tell if he was doing this on purpose or if something serious was going on. But, of course he was fine and continued to sing literally right in the audience. Pretty epic. 

They truly celebrate the music of The Who.

SlipKid played over 20 songs and performed almost two hours of non-stop music. Now, this was a seated show but there were many well deserved standing ovations. The band was just incredible and was really fun to watch. SlipKid mostly plays in the New England area since that’s where these guys are from, but I would love to see them eventually become big enough to venture out all over the country. They’re a must see act, especially if you love The Who. If you can’t see The Who live, or even if you can, I would definitely check this show out if you get the chance. They truly celebrate the music of The Who.

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Review: Lover (Don’t Let Me Down) by Palace

Palace have just released their new single “Lover (Don’t Let Me Down)” and it certainly didn’t let me down. It actually did the opposite and I am now floating. When this band releases new music, you know it’s gonna be a good day. 

Their sound has always reminded me of the music forest fairies would listen to if they had access to it. Very light and airy intertwined with mystery and passion. An irresistible combination to say the least. 

The song starts off with a slowly escalating echoey guitar riff which seems to be a signature thing they do in a lot of their work. It offers such a majestic and calming atmosphere to the listener that I will never take for granted. 

All through the first verse there is a nice steady build up to the chorus which is just a huge release. Emotionally and musically. 

“Lover, don't let me down

'Cause my stomach's been twisted for ages now

Please, my woman, don't let me down

'Cause I love you, I love you to the end of time”

Lead singer Leo Wyndham sings of loving someone so much and making sure the person understands, while also explaining their anxiety and jealous tendencies. This song is exactly what it feels like to be anxious in love. Even if you haven’t been in love romantically, there is a certain aspect to this song that just allows you to relate to it on whatever level you can. That’s another special quality most, if not all, of their songs have. 

The closing verse is such a perfect wrap up to the track. It highlights the love and adoration he feels towards this person and the fact that it’s not going anywhere. 

“I would

I would do anything

I will give you everything

'Cause you make my heart sing”

They mentioned this was the first song they wrote during the covid-19 lockdown we all had to suffer through and because of that, it’s a very special track to them. Well let me tell you, it’s impossible to ignore the energy that went into this song. You can truly feel how special it is. 

Tickets are on sale now for Palace’s long awaited February 2022 tour and their new album Shoals is set to be released January 21st, 2022 and is available for preorder now. You won’t want to miss any of it!

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MUSIC AS WE KNOW IT

I have always believed in music’s healing power in hard times. Artists often share stories about fans who have told them their songs saved them or got their lyrics tattooed on them.

Personally, music has helped me many times, first with Shawn Mendes’s Understand during the worst time of my life, then with 5 Seconds of Summer, especially Jet Black Heart. I sang that song with my whole heart at their concert. Finally, EDM (electronic dance music) had and still has an impact in my life: people usually think it’s a superficial genre when in reality it offers a lot of deep songs that help me ( and many others) during bad days. 

Wanting to know how other people considered music, I asked friends, people who go to university with me, and followers on social media what music meant to them. Did they find comfort in it?

The average answer was that music plays a huge role in people’s lives. It is something they listen to every day, something they can’t start their day without. These are the most meaningful answers I received…

“Music helped me during hard times. Every day I wake up and the first thing I do is put on some music because it helps me get through my days with a smile on my face.”

“Music speaks for you when you can’t find the right words. Song lyrics, if we focus on them, tell our story. If we think about this long enough, it’s easy for us to say: this songs speaks to me.

Music makes us feel understood like books do and music can spread good and bad messages. Sometimes the music we listen to reflects our emotions and we listen to it to fight against bad thoughts like when we are sad or angry. Music calms us when we’re down and gives us a lot of energy when we’re happy. Music is the most beautiful way to express our hopes, thoughts, worried and more.”

“When you grow up having almost no friends and there are only few people who could really relate to you…then in times like that discovering Shawn Mendes music really meant a lot to me ‘cause it has always served me as a solution of the problems I got in life and helps me cope with them more efficiently.

Listening to his music does help me to deal with pain, loss, grief and sadness. It reminds me every time I listen to it that there are people who understand what I feel, who understand my state and for me that’s enough to make me feel like I’m part of my people who suppress the feeling of feeling lonely.

Also I think having his music in my life has made it so much better. It has made it more magical and most importantly taught me what music really is.”

“I think music is a universal language capable of making you feel emotions through sounds and words. I think it’s the most direct and democratic form of art. Music has been with me all my lifelike a soundtrack that helps making experiences better, doesn’t matter if negative or positive.

It helped me making me feel less alone and  with its sounds and words I can find myself with the themes and the song characters, succeeding in canalize my feelings making me feel understood and comforted, sharing my experiences and feelings.”

I decided to write this article because it’s what BANDED is all about: how people experience music and their love for it. I asked a lot of people what they thought about it and to hear how many people feel the same way I do about music made me really happy. Music not only helps to heal but unites people in a wonderful way. It doesn’t matter which music genre you listen to, there’s always someone who feels the way you do. 

Review: The Last Bandoleros Go “Tex-Flex” with New Release “Maldita”

The Last Bandoleros are back with their first original release since they dropped “Chupacabra” on YouTube last October, a funky little 3-minute jam called “Maldita.”

The release of “Maldita” appears to mark the beginning of a new era for The Last Bandoleros, the “Tex-Flex” era, you could call it. “Maldita” was born out of a week-long writing session TLB was in with Shaggy – yes, the guy who did “It Wasn’t Me,” that Shaggy – designed to get them out of their comfort zone and to try something new. The result was a handful of a songs they’ve affectionately described as “Tex-Flex.” Whether they’ll all be released under that moniker only time will tell. 

That said, “Tex-Flex” is the perfect way to describe this track, if you ask me. After my first listen, I couldn’t get over how different it sounds from their previous stuff while still staying true to their roots. Blending the Tejano rock sounds and harmonies that they’re known for with Latin-infused hip hop beats, horn sounds, and just a little bit of Top 40s pop, they’ve created something I never would have imagined coming from them. It’s different, but in all the right ways. 

Featuring lead vocals from Derek James and Diego Navaira, two of my all-time favorite voices, the vocals really tie it all together. Navaira’s fierce lead on the chorus lends immediate energy to the track, and James’ softer, unique timbre on the verses draws you in and commands your attention. The juxtaposition of their vocal sounds makes “Maldita” all the more fun to listen to. 

And of course, the lyric video is worth talking about, because it’s all put together by Bandolero Derek James – he does all of the band’s videos, and they never disappoint. Alternating between shots of roses and a beautiful dancer with the lyrics laid on top, it’s a perfect visual representation of the song, and it brings the lyrics to life in an intoxicating way. 

“Maldita” is fresh, it’s fun, it’s TLB and then some. I’m gonna have this one on repeat until their next release, and if you’re reading this, I suggest you do the same! You won’t regret it, and you can thank me later. 

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REVIEW: The Roadside by Billy Idol

It’s been a while since we’ve received new music from the punk rock legend, Billy Idol, but we were finally gifted with his new four song EP, “The Roadside”. So, let's dive right into each of the songs!

Rita Hayworth:

The EP could not start off any stronger than with “Rita Hayworth”. We are instantly given this anthem-like song chanting, “You look like Rita Hayworth!”. With Rita Hayworth being a predominant female figure of the 40’s, Billy uses this song to address sexual harassment and abuse against women. It’s brought up throughout the song but really stands out in the lines, “In this scene of wannabes and abusers”, “You get a, ‘Come on,’ from some nothing producer”, and “You know it’s time to leave this place”. Great song with a powerful message. 

Bitter Taste:

“Bitter Taste” is a very self reflective song, which he describes is about a motorcycle accident he was in many years ago. Billy describes that accident as kind of a wake up call for him and as the listener, you pick up on that by the way he’s singing and reflecting about his near death experience. This is also overall just a beautiful song and it’s awesome hearing him open up about something that took him over thirty years to come to terms with. 

U Don’t Have to Kiss Me Like That:

This one is probably my favorite song from the EP. “U Don’t Have to Kiss Me Like That” has a very “80’s pop” feel to it, but of course has that classic, Billy Idol edge. It also just has this groove to it that immediately makes you want to sing along and dance. My favorite part of the song is at the very last chorus, Billy’s voice completely changes and he’s just shouting all of the lyrics. It really took the song to the next level. 

Baby Put Your Clothes Back On:

The EP ends with a beautiful, ballad type song, “Baby Put Your Clothes Back On”. What I got from the song is that it’s about making the choice to say goodbye to someone because you like them so much that you don’t want to hurt them since you know in the end that you will. I absolutely love the chorus of this song. For some reason it just feels very tropical to me and it’s something I would listen to on a beach somewhere exotic. 

As much as I love the 80’s Billy Idol, I really am enjoying his modern day music. Especially with these new songs, I feel like we are seeing a whole new side of Billy that he’s never shown us before. He’s always been this real tough punk rocker but as he’s reached these later years in his life, and with becoming a recent grandfather, I feel like we are seeing a much more vulnerable side of him that’s really shining through his songwriting and music. Being a punk rocker will always be his legacy but it’s nice not only seeing this different side of him, but also hearing it through his new music.

Interview + EP Review: John Foley's Spirits

After four years, John Foley has released his new EP, Spirits. And he’s releasing said EP at the perfect time too, as it is now the start of the fall season - which also means that spooky season is officially upon us. 

Spirits follows up John’s previous EP release, Specters. So now the lingering question remains: “Was this EP worth the four year wait?” Well, my friends, grab your witch hats and find out. 

Speaking of witches, the EP starts off with “Hey Little Witch”. Upon first listen, you would think that this song came from the 70’s instead of our current generation. The sound itself, the organ, and John’s vocal performance in this song make it a perfect listen and it gives us the ultimate witchy, classic rock vibe.

Now moving on to the next track, “Follow The Water”. Ahh, what a great track to listen to after the ultimate witchy power track that is “Hey Little Witch”. Now, Imagine cruising down the coast with the ocean in the background, and your hair blowing in the wind then you have “Follow The Water”. The song feels like the ultimate beach road trip song and the sound just adds to that. Not to mention, it has been said that “Follow The Water” is the best summer song.

Next, we have the famous track, “Aces High”. We all have experienced bad luck in one way or another and this song is about experiencing bad luck. If you ever feel bad about the lack of good luck you’ve experienced, just listen to this song and it’ll probably make you feel better. This song is definitely a highlight off this EP and is yet another great spooky song. It sounds like something that could have been used in “American Horror Story: Freakshow,”

“What Fades Away” - I’m gonna come right out and say that this is a personal favorite of mine. There’s something about this song that makes it really special and it’s such a great listen, you’ll just want to listen to it again and again. Plus there’s an amazing guitar solo you’ll hear and let’s be real - we love and stan an amazing guitar solo. What a fantastic track to listen to. A must note - the lyric, “Specters come and spirits go”. We see what you did there, John.

And for our grand finale - “Another Lover”. When speaking to John, he said that he’s most excited for people to listen to “Another Lover” and honestly, it’s easy to see why. Are you looking for a song that you just want to listen to while you forget your past lover? Well, here’s the track to turn to.  This song has a folk-rock and Americana sound to it, plus another amazing guitar solo to add to it. While there are a handful of great songs about wanting to forget your former flame, this song has a special touch of some kind. Overall, it’s a great song to end the EP with.

The Spirits EP is certainly an incredible journey itself. The magic it brings when listening to it is something I can’t even begin to describe. Although, I will say that John knows how to bring in something great when it comes to the songs he releases.

You can stream the Spirits EP now!

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2 Years of The Shelters’ Jupiter Sidecar, And I’m Still Obsessed

It was 2 years ago this Monday that The Shelters took us to outer space and back with their sophomore release, Jupiter Sidecar. A modern day classic rock-esque band with a surf rock and Laurel Canyon flair, The Shelters are nothing if not cosmic, and this release was no exception. To honor its two-year anniversary, allow me to tell you all about what Jupiter Sidecar means to me.

The Shelters have been one of my all-time favorite bands for a while now, ever since I discovered them on Tom Petty’s Sirius XM channel, and I’ll never forget the excitement I felt for the release of this album. I remember very clearly the night this record came out, and sitting down on my bed, headphones in hand, waiting ever so impatiently for the record to drop on Spotify, so I could give it my first listen the second it was released. I remember listening in awe, letting all my initial reactions to each song show on my face even though no one was there to see. I was partying on my own and loving every second of it. 

That’s kind of what Jupiter Sidecar ended up becoming for me, the soundtrack to my “by myself” party. At that point in my life, I’d drifted apart from most of my friends from high school, friends in college were a little more difficult to make when you live 30 minutes away from campus in the next town over, life was busy and chaotic in every way imaginable, and through all of that, I was struggling to come into my own and find my identity. Getting personal here, I know, but this record finding its way into my life at that time was everything I needed. The vibes, the feelings, and the messages that I’ve pulled out of these tracks have guided me through all of that, and silly as it may sound to those who aren’t as passionate about music, where I stand now is due in part to the inspiration I pulled from this record. 

I find that when I listen to any one of these tracks, even just two years after their release, I’m taken back to that time of self-discovery, identity formation, and self-betterment. I’m nowhere near done with any of those things by a long shot, but listening now, it’s like getting a see a progress report. I can feel in my heart how far I’ve come, and the records that have been a part of that journey are extra special to me. 

Since discovering them, The Shelters have broadened my horizons to new sounds and new genres. After having consumed just about every piece of Shelters-related content, I’ve developed a passion for so many new-to-me artists and songs (e.g., Link Wray, Charlie Rich, The Kinks, Jet Harris, Duane Eddy), and I’ve enhanced my love for genres I was only moderately familiar with (e.g., surf rock, Laurel Canyon, 60s garage rock). As a result, I’ve taken in so much content and done so much research into the music and bands of these genres. Because of The Shelters, I’ve fallen in love with so much music that I might never have otherwise. 

This record takes all of that to the next level. With their mixing of rock ‘n’ roll, synth-pop, folk, surf rock, Laurel Canyon, garage rock, and so many more sounds that are simply genre-less, Jupiter Sidecar will show you more music in its 45-minute duration than you can even handle. It’ll take you places you’ve never been, and you won’t be able to help yourself but to go back and visit again and again. 

It becomes evident very quickly with The Shelters that they’re an incredible rock band that knows how to deliver hard-hitting rock that makes you want to get up or go out and dance your brains out, but where I think the band especially shines is in their ballads, and “Kimberly” is the pinnacle of that glow. Josh Jové romanticizes an overseas short-term romance that both parties know won’t be anything but that, short-term, in such a way that every time I listen I find myself longing for a “Kimberly” experience of my own. This track is dreamy and beautiful in every way, and though the romance described isn’t one that is meant to last, I still find it to be of the most beautiful love songs I’ve ever heard. 

The use of strings on this track is hypnotizing – I find this song to be the perfect wind-down-and-relax song, perfect for daydreaming and de-stressing. For maximum effect, it must be listened to in a certain way, with headphones on and eyes closed, to let the bass line played on the cello fill your ears a little better, to hear the folky, Pure Prairie League-like chime of the mandolin (I’m a sucker for mandolins!), and to allow Josh Jové’s beautiful voice and story to wash over you. Situated between two hard-hitting rock ‘n’ roll numbers, “Kimberly” is The Shelters’ most beautiful and folky piece of work yet. It may very well be my favorite on the album. 

Jupiter Sidecar also gave me one the greatest gifts an album can give: a hype song - a song that you can crank up to 10 and scream along to at the top of your lungs, a song that boosts your mood and builds your confidence, a song that just plain makes you happy. For me, that song is “Bad Dreams.” It’s loud, it’s catchy, it’s rock ‘n’ roll. I listen to it every single time I need hype for something. I can’t even begin to tell you what all I’ve blasted “Bad Dreams” before, but I always kick things off with “Kimberly” to destress and calm down, then follow it up with this one to boost my confidence and my energy, before every single exam I’ve taken since this record dropped. At this point, it’s like a ritual, and I love doing it. I can’t help but feel better after listening to it, and hey, it’s worked out well for me thus far!

Not only is this record filled with sonically fantastic stuff, there’s also some really deep lyrical substance happening too. Let’s talk “Waiting for Life to Begin” - if you’re a lover of lyrics, this track right here is for you. I find this one to be the most inspirational track on the record, but it does so without being cliché or nauseating. Sonically, it’s heavy in all the right ways, and that juxtaposition only amplifies the message I believe the lyrics are conveying. One lyric in particular stands out to me over everything else: 

“You were encouraged to see the light

It was inside of you all along

Why was it so hard to find?”

Every time I hear this song I find myself singing this line the loudest. On a personal note, this track, and this line in particular, has helped me through these past 2 years of self-discovery and personal betterment. This is what makes The Shelters one of my favorite bands – their music always finds a way to speak just what I need to hear every time I listen.  

I wasted so much time thinking ‘if I can just get through this one thing, then I can start living the life I want to live.’ Every time I got through that “one thing,” there would be another thing I had to get through. When I heard this song for the first time, I realized that I was sat completely still, letting life carry on without me. I still have a long way to go, but I made a promise to myself from that day forward that I would do everything I can to stop “waiting for life to begin.” Life began a long time ago – it’s time to keep up. 

In addition to the depth this record seems to have, it’s also just plain fun to listen to. There’s something about Chase Simpson’s voice that just brightens everything up and gets you rockin’ (see “Hourglass,” “Tangled Up,” “Can’t Go Home”). Josh Jové’s hard-hitting guitar work and Sebastian Harris’ drums drive the tracks and give that quintessential rock ‘n’ roll energy. The passion the three of them have is evident in every note, and that make Jupiter Sidecar all the more enjoyable to listen to. 

I’ll never get over the chemistry this band seems to have. One of my favorite things The Shelters do is when Chase Simpson and Josh Jové sing together – the interplay between and the blend of their voices are mind-blowing and integral to The Shelters’ sound. That interplay between their voices is mirrored in their songwriting. Even though many songs on the record are written by Simpson and Jové individually, they feel for the most part like pure collaboration, likely because Simpson and Jové play the majority of the instruments on this record themselves. Of course, you can’t leave out Sebastian Harris’ drumming; he’s the backbone of The Shelters, and they wouldn’t be the same without him. They seem to be the perfect trio, united in a common goal to take rock ‘n’ roll as far as it’ll go, and never losing sight of that. 

I’ve already gone on about this record for FAR too long, but I can’t overstate not only how much this record has meant to me in my life, but how absolutely phenomenal it is even for those who won’t connect with it in such personal ways like I have. Jupiter Sidecar is an incredible collection of music for the lover of classic rock and the lover of modern sounds alike. No matter what hits you hardest, the sonics or the lyrics, there’s something for everyone to love on this record. As I celebrate two years of this masterpiece being out in the world, I hope you’ll put it on and see exactly what I’m talking about. I think you’ll be quite happy you did. 

Here’s hoping The Shelters return to the touring circuit very soon so I can finally hear these songs that have changed my entire world in person, but until then, I’ll put the needle down on Jupiter Sidecar yet again!

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2 Perspectives: Greta Van Fleet's Strange Horizons Tour in Chicago

SEPTEMBER 3RD, 2021

HUNTINGTON BEACH PAVILION  | CHICAGO ILLINOIS

By Angel Evans

Time stood still as the audience awaited Greta Van Fleet to make their way to the stage. Loud and eager chanting began to travel all throughout the pavilion, “GRETA! GRETA! GRETA!” The anticipation almost becoming unbearable for all of the music lovers to handle.  Musically kindred spirits of all ages embraced one another and allowed the present moment to fully sink in. As the clock struck 9 pm, the first 10 seconds of their original opener, ‘My Whole World Ended’ by David Ruffin began to play. If you listened close enough, you could hear “veteran fans” (people who’ve been to their fair share of Greta gigs) losing their minds. I was indeed one of the fans having a heart attack on the rail (because who doesn’t love hints of nostalgia and a good ol’ blast from the past). Within a matter of seconds, ‘My Whole World Ended’ seamlessly transitioned into their NEW intro song, ‘Reasons For Waiting’ by Jethro Tull. Although the original opener came on as a mistake, I couldn’t help but feel like it happened for a reason. We’ve stepped into a completely new era. The "Strange Horizons" era. Long gone are the days of the past. As bittersweet as that sounds, being on this invigorating journey with Greta is something I wouldn’t trade for the world. As they continue to blossom and take this world by storm, we’re all growing along with them. It’s beautiful. As Reasons For Waiting continued to play, I closed my eyes and absorbed the lyrics.

“Came a thousand miles just to catch you while your smiling.”

As my stomach filled up with butterflies, I couldn’t help but smile from ear to ear. The magic in the air was potent and I opened myself up for whatever the universe had in store. As the song concluded, I thought to myself, "let the games begin." Isolated vocals of Josh’s voice began to shake the venue. 

“CRASH AGAINST WAVE UPON WAVE. TO STRANGE HORIZONS.”

Their new intro video that includes the select voicemails of a handful of lucky fans began to play on the big screens, and each member of the band began to walk on stage. 

Jake came out with a big ol’ grin on his face as he headed to his amp to plug into his beloved 61' Les Paul. Soon after, Danny and Sam both made their way onto the stage. Sam picked up his Bass and Danny sat proudly in front of his drum kit (knowing damn well he’s about to beat the living hell out of it).  As the video concluded, Josh ran onto the stage with his arms extended to the sky. His high vibrational energy transferring into the crowd.

“Welcome to Strange Horizons, Chicago.”

“I have a feeling we’re going to get out of our minds.”

“You ready?”

The answer was a definite yes as the crowd began to go absolutely feral and let loose.

The night began with ‘My Way, Soon’. A song that Josh likes to call, “An invitation for an adventure.” As Jake's guitar riff began to fill everyone's senses, the entire venue went from 0-100. Kicking off the show with ‘My Way, Soon’ felt quite fitting since hundreds have traveled from near and far to be one with the music. The entire pit began to jump up and down while shouting at the top of their lungs, 

“I’ve packed my bags and I’ve got my freedom.

I’ve sacked the rules so I don’t have to heed them. 

I’ll bet on a chance if I’ve just got one.

I’ll throw out the plans and live with no burdens.”

My Way, Soon will cause any vagabond’s heart to soar and eyes to fill up with tears. Especially when you are living out what the song is describing. It’s an anthem that set the tone for the entirety of the evening. Greta Van Fleet had the crowd in the palm of their hands, and they knew it. Song after song, the cosmic energy was sensational. The love, adoration, and elation that traveled throughout the crowd was breathtaking. There was a darling glimmer that shined in the eyes of all their devoted fans. The energy exchange between the band and the audience felt damn near spiritual. The connection Greta Van Fleet has with their fanbase is something I have never seen before. The undying passion they have for their music intertwined with their love for the Peaceful Army comes from such a deep and genuine place. In Chicago, I tangibly felt the love and it brought me to tears. It was a night full of love and celebration. For two hours, the “real world” didn’t exist.

For two hours, I was able to detach from the aches and pains that were weighing me down. I allowed myself to fully immerse into the music and be in the moment. Something that I’ve struggled with for a long while.

(SOME HIGHLIGHTS OF THE NIGHT)

1.THE RETURN OF FLOWER POWER 

For a good year and a half, I’ve been yearning to hear Flower Power live again. If you know me, you know that Flower Power greatly impacted my life and (to be 100% transparent) saved my life. Flower Power is most certainly a crowd favorite and holds a sentimental value for many. So once the intro began, THE TEARS RUSHED LIKE A WATERFALL. 

“She’s a lady comes from all around. 

She’s many places but she’s homeward bound.”

The sweet familiarity of hearing Danny bang on those drums, gazing upon Sammy entering a trance-like state on the keys, playing air guitar whilst Jake shreds for the gods and to proudly sing along with Josh ---- it all felt like a warm homecoming.

You know in Almost Famous when Penny Lane says to William, “You ARE home.”? That’s what those 8 minutes of Flower Power felt like. We all came home and unified as one. 

Even though it’s been a year and a half, in a strange way it's felt like no time had passed. I will never take hearing ‘Flower Power’ live for granted ever again. To be honest, I don’t think anyone will. I took some time to turn around and look at the crowd behind me. Some eyes were closed and some eyes were open with tears brimming. Not only could you feel the audience's love for Flower Power, but you could just see how much hearing it live again meant to people. As the song concluded, Josh sang the famous lyrics:

“As the years pass by my mind

Are the wrong, the right, you are my sunshine.

And as the night begins to die

We are the morning birds that sing against the sky.”

When he switched the lyric from days to years, I felt my heart burst out of my chest. Whenever I’d listen to Flower Power on Youtube, I would specifically listen to the version where he would say years instead of days. It has always tugged at my heartstrings. There are 365 days in a year, and when you begin to realize how much change can occur during that time and the inner growth that takes place. You cannot help but nose dive into a deeply reflective state of mind. That's what that moment of the show felt for to me. As I glanced at Josh and then the band as a whole. I couldn't help but feel extraordinarily proud of them. I also couldn't help but wonder if all of their memories over the years began to come to mind.

Long live Flower Power. The timeless gem that I hope stays on the setlist for years to come.

2. THE BARBARIANS THE BARBARIANS THE BARBARIANS 

How do I describe ‘The Barbarians’ live in the most dramatic way humanly possible? Well, for starters it was an absolute out-of-body experience. I’m more than certain that I astral projected and then came back a completely different human being. When I overheard them play it during soundcheck, I had to mentally, emotionally, physically, and spiritually prepare myself for what was in store. Absolutely no one was ready for it. The howls that emerged from the audience was otherworldly. The first twenty seconds of ‘The Barbarians’ made you feel like you’ve stepped into a battle scene in a major motion picture. 

My eyes bugged out of my skull as I watched Jake press his foot on his wah pedal for dear life. Throughout the entirety of the song, Daniel's drumming began to rumble inside of my chest and I had to catch my breath from the intensity of it all. 

Covered in chills from head to toe, all I could do was gaze upon the four of them in absolute awe.

3. 9 MINUTES OF PURE ECSTASY = THE WEIGHT OF DREAMS

What once was called ‘Black Flag Exposition’ is now known as ‘The Weight of Dreams’. Another crowd favorite that takes everyone on a Rock N’ Roll thrill ride. A ride that once you’re on it, you have no desire to get off. ‘The Weight of Dreams’ is a song that I suggest to basically every person who’s interested in exploring Greta Van Fleet’s discography. If you have an everlasting love for Rock N’ Roll, The Weight of Dreams leaves you at a loss for words. 

I will say, hearing the album version versus actually witnessing it with your own two eyes are completely different experiences. Nothing and I mean absolutely nothing can prepare you for ‘The Weight of Dreams‘ live. Greta Van Fleet isn't the type of band to ever give a half-ass live performance. From beginning to end, their shows are spectacular. Whenever they perform ‘The Weight of Dreams’, there's an atmosphere shift. All eyes were on Jake as he played the intoxicating riff we all know and love. Heads began to bang and bodies began to sway from side to side. The music engulfed every open vessel that had ears to listen.

"All across the west, we traveled wayward for

Find the weight of dreams in gold

Heaven sent us here to meet the hallowed shore

To claim the wealth that we had sold."

"Gold mines melting many men's sunshine

Spoiled wine tastes so sweet we have gone blind

Gold mines melting many men's sunshine

Spoiled wine tastes so sweet we have gone blind.”

Those are lyrics that Josh sang as he led the audience into the first half of the performance.

What came next was the real treat. When Danny began to mercilessly pummel his drum kit and Josh approached the microphone wailing from the inner depths of his soul... THAT'S when everything turned up a notch. For the next couple of minutes, Greta Van Fleet gave the performance of their lives. It's during that specific part of the show where I have no idea where to look. Josh continued to interact with the crowd as he got into his "Mr. Tambourine Man" element. Sam began to rise onto his feet and proceed to sit back down as his hands traveled throughout the keys. The Weight of Dreams absolutely changed the way I viewed live music. The transcendental sounds that come from Jake's electric guitar haunt me but in the best way. ‘The Weight of Dreams’ is a mystical experience unlike anything I have ever been through, and just writing this all out is sending shivers down my spine. It's euphoria. It's heavy Rock N' Roll euphoria that I'll never get over and to be honest, I'm addicted. 

4. THE ENCORE 
Once we reached the encore, it began to dawn on everyone that the night was close to coming to an end. The band reappeared on stage after a few minutes, and Sam began to play the opening of ‘Heat Above’. In the midst of it all, Josh took some time to converse with the audience. 

"Who's up for a really perfect moment? To letting go of anything that's been bothering you at all. It's really funny sometimes trouble presents itself, it seems so real sometimes. In this very strange cosmic way, it's just a little bit of an illusion. We just free ourselves from that. We just take a moment to explore that space where there are no worries. We can come back turning around. It's better that way." 

As he spoke those words into the microphone, I felt tears begin to roll down my cheeks.  All I could think to myself was, "how does this man know?" "how does he  know exactly what to say at the most divine time?" The Universe was really speaking through him that night. The entirety of the encore felt cathartic and it was a significant time of emotional release. Early on, I mentioned how there was an abundance of love in the air. However, as it continued to sprinkle and the mist was coming in from the shore, an avalanche of love just poured out. A healing took place. What astonishes me about Greta Van Fleet is how healing and nourishing to the soul their music is. How their words and their musical gifts greatly impact hundreds upon thousands of people. 

Photos courtesy of Greta Van Fleet

The show concluded with ‘Black Smoke Rising’ and ‘Highway Tune’. Two throwback jams that never fail to get the crowd amped up. Josh came down the steps and sprinted down the rail. He lightly touched the hands of the fans with a huge smile on his face. Soaking in those final minutes of being in their presence was truly remarkable. From every corner of the pit, you could sense the desire fans had to potentially receive some concert memorabilia. Sam traded necklaces with a fan, Jake threw picks into the crowd and Danny threw his drumsticks into the audience as well. There's such pure gratitude that consumes a fan when their heart's desire comes true. It's something I'll never get tired of seeing and I know they feel the same exact way. 

Traveling for live music is a big part of my life. When it comes to Greta Van Fleet, whenever the Universe opens up doors of opportunity I will always choose the road. 

Greta, thank you for blessing this world with your musical gifts. You truly know how to put on a stellar show. 

Till' next time, The Velvet Honey. 

---

By Ayris Ouderkirk

As soon as Greta Van Fleet announced their Strange Horizons tour and I saw Chicago was one of the stops, I just knew I had to go. I was supposed to go to their Chicago show back in 2018 but I wasn’t able to make it so this made up for it BIG time. 

My trip was planned very far ahead but unfortunately my entire house caught covid in August and I canceled the trip because I was scared I wouldn’t be better in time. Deep down I was still hoping I would be able to go and my wishes came true when, after quarantining for two weeks, I tested negative. I pulled $200 out of nowhere for a last minute plane ticket and took myself to the airport. 

On the day of the show me and my friend, whom I met through Greta almost four years ago, went to the meetup in Grank Park and ended up getting our picture taken and getting interviewed for something the band has up their sleeves. There were so many people there and the whole park was just surrounded by these big beautiful buildings. It was truly a welcome home from the band and the windy city.

By this time the concert was only a few hours away and the pre-show jitters were coming on super strong. We got ready and headed off to the venue. As soon as we got there, we headed straight to the back of the pit which may seem unusual for some but I wanted to dance and not worry about people pressing up against me to get closer. I was content back there. It was so satisfying to watch as all the people began to crowd in. Everyone from all different walks of life joining together to see the same band and enjoy the same music. I even got to meet some of my other friends I’ve met through the band which made this night even more special. 

If you’ve ever been to a Greta Van Fleet concert you know that there is always such intense energy before they go onstage. You listen to the playlist and wait to hear that song you know they play right before they walk out. As soon as the crowd heard Jethro Tull’s ‘Reasons for Waiting’ people became so frantic and excited. 

When they finally walked out on that stage, the wind began to blow and the sky opened up just a bit to let a sprinkle of rain fall onto the audience; that was Mother Earth preparing us for what was to come. 

Now of course at any concert you feel the drums in your chest, the guitar in your veins and the bass in your feet. Well, at their concerts, that is amplified times ten. Their instruments are so loud and proud which truly transports to whatever world their music lives in. You have no choice but to let them take you on a journey. 

During this particular show I was just so excited to be there and in awe of everything that I couldn’t even believe it was happening or that I was there. Broken Bells started and the more it was playing the more I regained consciousness. Jake began that guitar part right before the solo and I just froze. I became truly present in that moment. I could feel the wind through my hair and the rain drops on my skin. I could see everyone in front of me tuned into the music and Jake Kiszka standing on the edge of the stage ready to blow us all away. In that moment I began to tear up (actually I was bawling my eyes out but shh don’t tell them) It was such an emotional experience for me that I will never forget. 

This show seemed to be the longest one they’ve played on this tour and everyone who went to other shows kept saying how jealous they were of those who got to experience the set list they put together for Chicago. I’ve only been to two of their shows but I have watched countless hours of concert, livestream, and festival footage from them over the years and I think it’s safe to say that this show was one of their best shows in such a long time. Only thing missing was "‘Lover Leaver’ but it’s okay. They will hear my prayers soon enough and put it back on the set list. 

Going to this concert was one of the best decisions I think I’ve ever made. This trip will always hold such a special place in my heart. I danced and screamed the night away with my best friend in the whole world and nothing can beat that feeling. That’s all that matters. 

Adding in a personal story real quick… 

As I mentioned, my entire household had covid which included my 74 year old grandfather with cancer. He had to go to the hospital shortly after we all tested positive and he was moved into a hospice facility within one week. One of the main reasons my mom wanted me to go on this trip so badly was so I could have some fun before the sad reality of everything overtook me. 20 minutes after I left to go to the airport, my grandfather passed away. My mom didn’t tell me because she wanted me to enjoy my time away from home. 

Photo Courtesy of Greta Van Fleet

One thing about my grandpa was he loved birds so much. He would feed them every morning and just watch them. When he was in the hospital no birds came until the day he died. My mom went outside to see two red cardinals sitting on the fence just staring at her. The spiritual sign of seeing a red cardinal is that those we have lost will live on forever so long as we keep their memory alive in our hearts. Well it just so happens that Sam wore a suit with a red cardinal on it for the Chicago show and I didn’t even realize until a couple days ago when my friend pointed it out to me. Granted, Sam has been wearing state birds on his suits for this tour but this seemed like too much of a coincidence and coincidences just don’t exist. 

I truly feel like my grandpa spoke to me through them that night. He was telling me that he’s okay now and assuring me that I was in the right place at the right time. 

This band has changed my life in so many ways and will always mean so much to me. This just shows how connected we truly are and I think they would agree. To Jake, Josh, Sam, and Danny, thank you for all you do. I miss you dearly and can’t wait to see you again. 

The Breakdown E22: Louder Than Life Festival Preview

What’s up rockers from all across the world! Welcome to a new episode of The Breakdown! Rebecca and I will be attending Louder Than Life this year…THIS WEEK! So, in this episode we breakdown each day and share the bands we are stoked to see.

Tickets are still available HERE! Come join us and throw your horns up!

After Show Notes: Unfortunately, after filming this episode Mudvayne had to drop out due to COVID. But the DWP team works fast and Breaking Benjamin will be taking their place.

Interview: American Slang at The MC Social Club

Coming out of the heart of Chicago, American Slang finally was able to preform their first home town show post COVID lockdown and celebrate their release of their first studio album in head banging fashion. 

American Slang was first shown to me back in mid 2020 from fellow friend and musician, Jake Massanari (Them Evils). As soon as I heard their opening track from their debut album Death Drive, I knew these gentlemen were a raw diamond in the industrial plains of Chicago. I even put it on my top 5 album releases for the year; it that damn good. 

Shortly after I became good friends with their guitarist Tyler and social media friends with the rest of the dudes in American Slang. Upon hearing their first show back, I told the guys my ass was going to be there. 

For the set that evening, they played Death Drive in it’s entirety, but not in chronological order for tracks. They saved their largest streamed single ‘Holly Roller’ as the crowd finisher.

Without playing a show for 18 months, they had pent up rage to let out. Even their bassist ,Chris, was slapping so hard, his strap broke mid-set but he still kept it going as fellow friend and also playing that night in his own band, Steve Eldridge, rushed on stage to make him a makeshift strap only using tape; I hope that becomes his signature strap. Their lead guitarist Tyler, was raging hard on stage as he pounded a couple of cans of pre-workout before he stormed the stage and did not stop head banging. Second guitarist, Hunter, was dialed in & focused the entire time and his eyes never left his gorgeous purpler Ernie Ball JP Custom Shop. Drummer, Aaron, was in his groove and hit his strides in every breakdown, and finally their front man & Simpsons connoisseur, Adam, did not stop moving till the last note was hit. He had passion burning in his lungs and everyone felt it. 

American Slang is one the most sleeper hit bands you can find right now, and with the right momentum, these Chicago boys will be batting in the big leagues.

Check out our full pre show interview below. 

Album Review: Jinjer's Third Studio Album, Wallflowers

Coming out of the far side of Ukraine, emerges an artist that just like a wallflower, has blossomed into the rock & metal mainstream and shown the world female fronted metal can headbang with the big boys. 

Jinjer have returned with their third studio album, Wallflowers, and deliver a perfect blend of prog metal and djent. Prior to its release, two singles were put out: ‘Vortex’ & ‘Mediator’, and to be honest, they were not completely what I was expecting. ‘Vortex’ was very much more tame in sound besides the spurts of Tatiana’s monstrous voice, and ‘Mediator’ as well had more clean melodic vocals that anticipating. Compared to the rest of album, other singles would have been much more fitting to grip fans by the throat. Regardless of this, Wallflowers delivers sound you could hope for from a Jinjer album. 

Wallflowers starts with its opening song ‘Call Me a Symbol’ and you are immediately devoured by Tatianas vocals and the bands thunderous sound. It is a perfect song to project you into the rest of the album.

Songs such as ‘Colossus’, ‘Disclosure!’ and ‘Copycat’ have a mosh pit rumbling in your mind and with their rescheduled happening this year, I do not doubt that these will be a part of their setlist. 

Now more so with this album than before, they dip their toes more into the progressive metal tone. ‘Vortex’, ‘Wallflower’, and ‘As I Boil Ice’ offer fans a more versatile side to Jinjer. While Tatiana’s vocals are still just as empowering, the band beautifully establishes its prog roots and maybe even gives new fans a gateway drug into the genre. 

Even with this being a new album, Jinjer have successfully kept their “sound” over the years and established who they are in the metal world, while still being able to evolve and blossom their music for fans. 

With a beautiful blend to progressive metal & djent, Jinjer have placed themselves as a top shelf artist and continue to be pioneers in female fronted metal. 

Interview: Henry The Chap

For my first-ever interview for Banded PR, I sat down with Brooklyn-based musician and cat lover, Henry The Chap in promotion of his debut single, “Doh + Puh + Meen.” We talked all about the new single, the Studio Ghibli-influenced music video, what he’s got in the works in the coming months, and of course, his beloved cat, the one and only Princess Mae Mae! 

Go give “Doh + Puh + Meen” a stream or two, and stay tuned to see what else is up The Chap’s sleeve!