BANDED

WHERE ARTISTS AND FANS BAND TOGETHER.

Red And The Rebels Release Rockin' Self Titled Debut Album

Baylee Avery

Austin-based band, Red and the Rebels have released their self-titled debut album and they’re already showing signs of a very promising career in the world of music. If there’s anything that this band is proving so far, it’s that they’re gonna take the rock world by storm. 

Each song displays elements of a 70’s rock ‘n’ roll sound and the first track, “Blue” gives a mental image of driving down the California coast. Not only that, there are also hints of Americana and Folk in some of the songs as well (such as “6th & Main”), which makes the songs especially memorable.

The folk and Americana sound brings in the kind of vibe that just makes you want to relive the 70’s, go to a rock concert and maybe pull a Stevie Nicks and twirl around a little bit. I wonder if you can actually do that at a Red & The Rebels show? Hmm, most likely.

Throughout the album, lead singer Deidre Rodriguez displays some strong vocals. Her sound is very reminiscent of Fleetwood Mac/Stevie Nicks and also a little bit of Kate Bush. Some of her strongest vocal moments come from “6th & Main”, “Woman (Of The World)”, “Lilith’s Fair” and “Golden Hour”.

She’s nothing short of a rock ‘n’ roll powerhouse and is displaying the beauty of the music through her remarkable sound. She has that soul and power that makes us all remember why we love rock ‘n’ roll the way that we do. 

This is one of those albums where each song gets better and better. It also is one of those albums that makes you only want more and more of the music from the band. Whatever this band may do, they’re gonna do it very well.

Ladies and Gentlemen, be on the lookout for Red & The Rebels because they’re going to be selling out stadiums one day.

FOLLOW RED AND THE REBELS

FACEBOOK | INSTAGRAM | SPOTIFY

Interview: Heartsick at Upheaval Fest

Justin Spartacus

Something that Upheaval Fest, in Grand Rapids Michigan did that I wish other festivals would follow suit, was tap into the local rock & metal scene and showcase them. One of the featured hometown bands for this two day festival was Heartsick, and they brought out the Michigan hardcore.

Just before their set, I had the pleasure to speak with frontman Alfonso Civile and went into great length on the Michigan metal scene, specifically on local producer Josh Schroeder as he has a huge hand in the sound for this band.

Now even though Heartsick was completely new to me prior to coming to Upheaval, they are complete veterans in the Michigan scene and brought a fan base that rivaled the main stage acts. 

When Alfonso came to the stage, the hometown crowd was already in a frenzy, just waiting for that first guttural yell to happen and start the mosh pit. Even coming up & down the hill 5 times, Alfonso mentioned in our interview, his intensity on stage did not falter as he crowd surfed during songs and even even came inside the pit. I am also 100% sure Heartsick did the first wall of death for 2021, and it was a beautiful sight to see.

Their sound from studio recordings to live performance was even better than I was anticipating it to be. Amazing clean vocals, a monstrous guttural yells, disgusting breakdowns, and a stage presence like they were the headlining act, make Heartsick a band to experience. 

Checkout our interview below for all things Heartsick and be sure to stream their new E.P. Cinco on all platforms now. They also will be doing a fall U.S. you with CombiChrist, check for dates near you. 

The Mavericks Return to the Touring Circuit: Review of Their En Español World Tour Kickoff

Sara Brown

The Mavericks are back on the road and man, do they put on a show! This past Friday, The Mavericks kicked off their En Español World Tour in Shipshewana, Indiana and the show was absolutely electrifying!  Not only was this the kickoff of The Mavericks’ first tour since the beginning of the pandemic, it was also my very first time seeing them live. What a hell of a way to experience the magic of this band live for the very first time!

the mavericks.JPG

The band was met with thunderous applause as they took the stage, with the audience on their feet in a standing ovation before the first note was even played. I suspect this show was also the first taste of live music much of the audience had experienced in over a year, or perhaps the crowd already knew that this show was going to deserve several standing ovations. I myself was seated several rows back, and I found my eyes wandering often from the action on stage to the action in the crowd. Couples were dancing, friends were smiling and singing along at the tops of their lungs, solo concert goers were on their feet and making friends. Every direction you looked you’d find someone completely immersed in the music, expressing themselves in their own unique way. It was an incredible sight to see, especially after so long without live music. I saw people of all ages singing along, dancing – having the time of their lives - and I even saw a couple a few rows up get engaged (to that couple, if this article finds its way to you, congratulations!)! 

Every song was met with feverish applause, and for good reason. The Mavericks recently celebrated their 30th anniversary, but every song played sounded so fresh, no matter when it was originally released. If I didn’t already know the songs and you told me they had been released last week, I’d believe you. Each song was tight and spot-on, and no matter how many times they may have played these songs live over their 30-year career, not a single member of this band seems to be bored with them, and for good reason – these songs are still as incredible today as they were when they were first recorded, be that 30, 20, 10 years ago, or even songs from just last year. They have and will continue to stand the test of time, and the audience in Shipshewana knew it. 

Of course, an important factor to be considered in this enthusiasm from the audience is how absolutely mind-blowing Raúl Malo’s voice is. He sounded every bit as good live as he does on any of The Mavericks’ studio recordings, and it looks like it comes so effortlessly to him. Vocally, his may be the greatest live performance I’ve seen by any band; he’s that incredible. He was born to sing, and his passion for doing so was evident in his performance. 

As incredible as Raúl Malo’s voice is, he by no means makes the show all about him. Every player on stage was given several of their own opportunities to shine throughout the show, and it’s clear that The Mavericks only tour with the best of the best. With every solo taken, it became more and more evident to me that the show would not have been the same if one of those players wasn’t there. 

Speaking of the other players, a very obvious audience favorite was accordionist Percy Cardona, and this kickoff of the En Español tour was also his first tour date playing with The Mavericks (though he has played with them for various other events and video performances). I couldn’t help but feel proud out in the audience as the people around me cheered for him because I know him from all his work with another one of my favorite bands, The Last Bandoleros. No matter what band he’s with, he plays with every ounce of his being and always wins the audience over. It was so much fun getting to see him do his thing!

Sitting several rows back, it was fascinating to me to watch audience reactions and responses to songs. I couldn’t help but notice that the Willie Nelson cover, “Angel Too Close to the Ground,” was an audience favorite (and a favorite of mine too!). Malo’s voice was especially beautiful on this ballad, and this song functioned for me as a chance to slow down, stop the dancing, and let the music in the room wash over me, something I’ve been missing so greatly since the pandemic began. The Mavericks did an excellent job of incorporating ballads like this into the show, keeping the show balanced without losing all of its energy. You’ve got to take a break from dancing sometimes!

On the other side of the sonic spectrum of audience favorites were two songs saved for the encore, “Come Unto Me,” and “All You Ever Do Is Bring Me Down.” I don’t think there was a single person still in their seats for these two songs. The way they were performed almost commanded getting up on your feet and dancing, and that’s what everyone I could see was doing. During these two songs especially, it was such a delight to look around and see everyone dancing and enjoying the show in their own way. There was so much joy in the room that I hope the band could see as clearly as I did, and after so long without shows, the energy in that room during these two songs was nothing short of magical. 

As for me, I was especially entranced by the songs from En Español, and one of my favorites from the album was held for the encore. After what seemed like hours of enthusiastic applause, Raúl Malo and trumpetist Lorenzo Molina returned to the stage play what may very well have been my favorite segment of the whole show. To pay tribute to the country of Cuba and show support for Cuban freedom, the pair performed the Cuban classic, “Guantanamera.” The simplicity of just one voice, one guitar, and one trumpet made this moment especially beautiful, and the pair had the room’s full attention. Then, Malo and his guitar began “La Sitiera” off The Mavericks’ latest record, En Español. I can’t speak for the rest of the audience, but I found this moment, with just Malo’s voice and his guitar, to be hypnotizing. It was raw – there was no room for error – and when the rest of the band kicked in, I was in musical heaven. This song is one of my favorites off of En Español, and hearing it live was such a treat. 

I could write a paragraph about every song they played, but I’ll leave it that. If I haven’t convinced you how good this band is and how incredible this show was, there’s simply no hope for you. All jokes aside, take a look at their audio stream of the show on their Facebook page and you’ll see what I mean. The Mavericks aren’t just an amazing band in the studio, they’re an insanely talented live band too, and after 30 years going at it, that’s quite the accomplishment.

Not only are they delivering studio quality sounds live, they’re having tons of fun doing it. It’s easy to see as much when you watch Jerry Dale McFadden hopping and dancing around his keyboards, or guitarist Eddie Perez walking over and egging on the front few rows on his side of the stage, or Percy Cardona, trumpetists Lorenzo Molina and Julio Diaz, and saxophonist Max Abrams line dancing when they aren’t playing. Every musician on that stage is passionate about the show they’re playing. They’re having just as much fun as the audience, and their happiness is contagious!

Take it from me, the En Español World Tour is not something you want to miss out on. Whether you’ve seen The Mavericks live before or not, go get your tickets while there’s still some available. I promise you, you’re not going to regret it! View tour dates here.

Listen to the audio from the show!

FOLLOW THE MAVERICKS

FACEBOOK | INSTAGRAM | SPOTIFY

Interview: Joyous Wolf at Upheaval Fest

Justin Spartacus

Just finishing up a huge tour with Dirty Honey on the California Dreaming Tour and their second festival this year, Joyous Wolf brings the California heat to West Michigan for Upheaval Fest.

Fresh off their set, frontman Nick Reese & dummer Robert Sodaro and I had a fun throwback interview discussing our hometown area of Southern California, tour date areas they enjoyed, and more. 

If you have never had the chance to experience Joyous Wolf live, they need to be added to your 2021 bucket-list now. Singer Nick Reese not only vocally sounds amazing live and has a matured voice beyond his years, he has John Travolta Saturday Night Fever dance moves. During our interview he even stated it’s rare that he has a catwalk to preform on, and he took for advantage of that. If you were just walking into the festival grounds hearing Joyous Wolf playing, you would swear it was Slash on guitar shredding away as guitarist Blake Allard ripped on his maple top Gibson Les Paul. It was also refreshing to be able to hear bass riffs as well from Greg Braccio as sometimes that gets lost in the mix board for main stage acts early on, and drummer Robert Sodaro was like the Animal from The Muppets, he was possessed and had the festival Voodoo magic taking control of him. 

These southern California boys have a big sound for being a rock-n-roll four piece band, and they’re taking 2021 by the Covid horns and letting you know who they are. 

Checkout our full interview below and be on the lookout for their new single “Fearless” dropping 7/30.

REVIEW: Golden by Iron Point

Ashley Longo

Iron Point takes us to the Golden State with their new single, ‘Golden’

Right away, I fell in love with this song and it only gets better. 'Golden’ starts off with some maracas and then we are given this groovy bass intro that hooks you right in. Without a doubt, any rock song that starts off with maracas is going to be a great rock song right off the bat. The maracas paired with the bass give the song a very 70’s, classic rock sound with a California beach vibe. However, Iron Point is able to put their own modern day edge spin on it. 

Line after line, these lyrics are coming in hot and with a punch, but then they smooth out as we go into the chorus. It’s a perfect contrast that fits in with that “groovy edge”. There are also some great one liners in this song, some playful and some aggressive. 

Throughout the song there is a huge build up to a musical explosion at the end, very dynamic. Featured vocalist, Charise Anderson, comes in with her freestyled vocals and they’re everything from beautiful to powerful. That very moment in the song is pure gold

Song after song, Iron Point has been absolutely killing it and ‘Golden’ is just another extraordinary tune. I’ll be adding this to my summer playlist as it’s the perfect song to listen to during the golden hours of any summer night. 

FOLLOW IRON POINT 

FACEBOOK | INSTAGRAM | SPOTIFY

Interview: Stitched Up Heart at Upheaval Fest

Justin Spartacus
33823F25-0EE0-44D3-8664-FAADC46000F4.JPEG

2020 was devastating for the entire music industry: bands, venues, guitar techs, event staff, everything. Especially for a band that released their monstrous sophomore album on March 13, 2020: Stitched Up Heart.  

Their second album release The Darkness came out exactly right before California Governor (Gavin Newsom) shut the state down; Stitched Up Heart was put on pause. But during that rollercoaster year, they reserved & kept that album release energy for 4 hard hitting dates, and finished it at Upheaval Fest in Grand Rapids, Michigan.

During our pre set interview, Alecia "Mixi" Demner discussed how she at first thought before these dates if she would remember how it felt to be on stage again, but those doubts were very quickly washed away, just like the memory of 2020. 

When Stitched Up Heart took to the stage, no dust had settled on their shoulders and they had fans roaring the entire time. If you only heard their music through a playlist online, and never saw a band photograph, you would automatically assume they were a five piece band, when in fact they are just the traditional four; their sound is just larger than life. 

I was very curious how well from they would transition from studio recording to live presence, as I ironically have never seen them before since we’re both in Southern California. 

Mixi is the complete musician & front woman, her stature is commanding on stage, while her voice knows how to hit your soul. Guitarist Merritt Goodwin, is an absolute shredder and his riffs sound just as good live as they do on record. For Bassist Randy Mathias his sound actually comes out more live than from studio work, which I love that as it compliments with Goodwin and adds another layer of heaviness to the band. For drummer James Decker, he absolutely rips and his style reminds me very much of original Korn drummer David Silveria.

It is said that no band ever has a perfect set, well for Stitched Up Heart at Upheaval fest, it was pretty damn perfect.

Check out Mixi and I’s pre set interview below and as we have fun discussing monster flavors, 2020, her collaboration with Sully from Godsmack and more. 

Interview: Blacktop Mojo at Upheaval Fest

Justin Spartacus
IMG_5358.jpeg

Already a week into their first U.S. tour of 2021 and fresh off their first festival this year at Rock Fest in Wisconsin, the gentlemen in Blacktop Mojo were still all jacked up on Mountain Dew and blessed everyone with the Mojo magic at Upheaval Fest in Grand Rapids, Michigan. 

Blacktop Mojo finished off the second stage, The Lookout Stage, for Saturday evening and had fans swaggering & two stepping the entire time. BTM ( Blacktop Mojo ) is absolutely a band to experience. While on record they sound amazing with their southern rock tone and make you want to move to Texas, its on stage where the Mojo truly shines. 

Guitarists Chuck Wepfer & Ryan Keifer dueled off and exchanged like the ending of Crossroads where Ralph Macchio battles Steve Vai, but they do this for each song, leaving fans in awe and throwing their horns up. Bassist Catt Murtis never stops moving on stage, he keeps the groove going the entire time and “slappida” bass just as good or even better than Geddy Lee. Now the secret weapon perhaps in BTM, is their dummer Nathan Gillis. He sets the tone, mood & energy for each song & riff. And finally, their frontman Matt James is THE essential piece to the Mojo magic. As soon as he stepped out in blue leopard print jeans with snake skin boots, the crowd already had the Mojo. He thundered on top of “ The Hill “ like a Texas viking  and the fans never put their hands down 

Checkout my special pre set interview with frontman Matt James below, as we discussed all things Mojo: being on the road again, how they stayed sane in 2020, new album coming up and more. 

For day two of Michigans first annual Upheaval Festival, Blacktop Mojo brought the Texas heat and shit kickers.

And be sure to preorder Album 4 now as it drops on August 13, 2021. 

Album Review: A look back at Dua Lipa's Future Nostalgia

Giulia Sabatinelli

"Being nostalgic for the future means that someone holds an optimistic view of what's to come."

Dua Lipa blessed us with Future Nostalgia, an album that captures your attention with its beautiful album cover and disco vibes. It’s outside beauty can be found even in the pop sound and catchy lyrics of songs such as ‘Love Again’ that gives me Abba’s vibes, ‘Don’t Start Now’, ‘Levitate’ and ‘Future Nostalgia’, the song that introduces you to the album.

You want a timeless song, I wanna change the game
Like modern architecture, John Lautner coming your way
I know you like this beat 'cause Jeff been doing the damn thing
You wanna turn it up loud, future nostalgia is the name- ‘
Future nostalgia’

Image from iOS (12).jpg

Reading the analysis of the album and it’s art work , it’s easy to find Dua’s inspirations. The cover artwork takes you back to the 50s - 60s where the Googie was popular and trends focused on cars. The album’s sound is influenced by the music Dua used to listen to when she was younger. The album features a song called ‘Boys will Be Boys’ that talks about today’s reality: being harassed by men on the street on a daily basis.

It's second nature to walk home before the sun goes down
And put your keys between your knuckles when there's boys around
Isn't it funny how we laugh it off to hide our fear
When there's nothin' funny here.

Dua Lipa shares her experience talking about the song:
“For me, the growing pains of what it’s like to be a girl, was walking home from school and putting keys through my knuckles … So much of the human experience for women revolves around men; how they make us feel, whether that is good or bad. Girls have to go through so much. You cover up yourself to avoid confrontation from men, avoid sexual harassment, people throwing words or catcalling. We change our ways to fit somebody else’s lifestyle. It’s really sad.”

This can be considered sadly the most relatable song off the album but it’s also the most powerful because Dua sheds a light on something us women and girls have to go through. Something that still brings shame and blame on the victims and doesn’t punish the predators.

Interview: Assume Nothing At Upheaval Fest

Justin Spartacus

When we did our special The Breakdown episode highlighting Assume Nothing, it was my first time ever hearing of them and instantly knew they were a banger. 

Before our interview at Upheaval Fest in Grand Rapids, Michigan, I was able to catch their set as one of the first bands to kick off the day on the second stage known as the The Lookout Stage, or as we quickly came to name it “The Hill” stage as it was it was positioned atop a very unforgiving hill looking down upon the main stage. 

Regardless of “The Hill”,  local and new fans swarmed the stage to welcome this hometown metal core act and for not playing a show since October of 2019, Assume Nothing laid claim to that stage and let the crowd know they were back. 

Lead singer Riley had monstrous passion in his voice that commanded anyone in the immediate area to fixate upon him. Guitarists Riley & Dave ( also Known as “ I am Dave “) equally had shred moments with their Fender Strats that were upgraded to Fishman pickups for just the bridge use, and honestly when a metal core band has two guitarist, it usually muddies up the sound in the mixing board, but the audio engineers for stage 2 absolutely nailed their sound. Nick their bassist was also able to cut through the mix and pretty sure he has whiplash from all the head banging he was doing on stage. Finally for their dummer Cody, who at first when looking at him you would not suspect him of being in a metal core, but as soon as he gets behind the kit, all assumptions are stripped away and you see why he deserves to be there. 

Assume Nothing are the Wage War of Michigan, and will be blowing up in the coming year.

Check out our full after set interview below. 

INTERVIEW + PERFORMANCE: The Things

Angel Evans

Are you yearning to find a brand new rock n’ roll band to sink your teeth into? Well, I have just the band for you.

Recently, a friend of mine introduced me to The Things. A Los Angeles-based Rock N’ Roll band who’ve made their grand debut on May 21st with Vicarious Catharsis. If you know me, you know that I’m always eager to listen to bands that I’ve never heard of and plunge headfirst into their discography. That’s exactly what I did. Let me tell you, I was not disappointed. 

Vicarious Catharsis from beginning to end is a 1970s euphoric masterpiece. The Things aren’t the type of band to stick to one genre. They have such an eclectic range that can satisfy the ears of any listener. Their sound is all across the board. It’s 1970s psychedelic rock with hints of blues and funk. Each musician in The Things possesses a unique talent and their artistry truly speaks for itself. Listening to Vicarious Catharsis needs to be done with absolutely no distractions. I suggest that you grab a pair of headphones and allow the music to take you wherever it wants to. Vicarious Catharsis is 60 minutes of musical ecstasy. 

Sitting down and chatting with The Things felt like reuniting with long-lost friends. It was loads of fun to pick their brains and get to know the musicians behind the music. In our interview, we discussed Vicarious Catharsis and how it was produced in their custom-built, analog studio, The Skipper Room. Not only do they record their music at The Skipper Room, but they all live there together. The Things have such a close-knit bond, and their passion for what they do is tangible. They live out their day-to-day lives authentically themselves, and they have endless stories that will have you smiling from ear to ear.

If you're dying to know more about these guys, check out the full-length interview above!

P.S. At the end of the interview, get ready to rock out to their stellar performance of She's Got My Number.

I hope that by the end of this, you're in love with The Things almost as much as I am.

Interview: The Weird Sisters Release “Lost in the Chronic”

Chloe Walden

All the best things in life are weird. This has been a personal philosophy of mine since I can remember, and is absolutely one that will stick with me forever. 

Because at its core, what “weird” actually boils down to is unapologetic authenticity. What’s weird? 

Freakshows. Carnivals. Bad B-Movies. Surrealism. 

But at the core of their being, what makes these things “weird” is their unwillingness to bend to social and cultural conformity. They simply are. And that’s weird. And it’s f*cking awesome. 

The Weird Sisters alums Gabi and Izaac certainly embody this essence of “weird”, and not just because they borrow the moniker for their band name. From posting the long lost items found in their couch cushions (one such item was a KNIFE) to teasing new singles with videos of dancing crawdads, the spirit of weirdness encompasses The Weird Sisters.

I interviewed the pair over the phone to talk about the genesis of their band as well as their most recent single “Lost in the Chronic.”

Borne from a reference to Harry Potter after meeting at a Twilight Zone infused spaghetti dinner (yeah, you read that right) The Weird Sisters have been providing Nashville with jammy psychedelic grooves for the past four years. 

Weird Sisters is comprised of former orchestral conductor Gabrielle Lewis (vocals, synth, keys, saxophone), Izaac Short (lead vocals, guitar, synth) and Jeff Brown (drums and percussion). 

The differences in their influences and backgrounds really help to give The Weird Sisters a unique sound. 

“I was conducting three orchestras at the time,” said Lewis of the time of the bands conception, 

“It was awesome. But then we [Izaac and I] started jamming and the rest is history.”

Part of what allows the band so much creative freedom has been their drive to DIY everything. Up until this last single, all mixing and mastering was done by the band themselves. This gave The Weird Sisters full creative control, and the agency to create absolute bangers like “Texas Toast.”

This time though, they teamed up with the legendary Grammy award winning producer and engineer Vance Powell ( The White Stripes, Phish, Arctic Monkeys, Tyler Bryant and the Shakedown). 

“We’ve known Vance for going on three years, he’s the tightest dude you could ever know,” Izaac said. 

“We had been working on this track just like in our basement for awhile now, and really didn’t know where to go with it. We just hit up Vance one day and we were like hey man, you wanna take a crack at it?” 

“Lost in the Chronic” is heavy laden with the surreal-funk that The Weird Sisters specialize in. It was recorded at Sputnik Sound in Berry Hill, TN. It has a slightly different, perhaps more polished sound than some of their earlier recordings, but still authentic to The Weird Sisters sound. 

“We would be happy to work with anyone if we felt that they could really add something to our sound,” said Izaac. 

“But we just hadn’t felt like that yet about anybody else,” added Gabi. 

“Vance just happened to be the dude.” 

The Weird Sisters are fueled by creative individuality, uniqueness, and good vibes. Their focus is to be true to themselves, but most importantly they want to make music that makes people feel good and brings them together. 

“We’re always second guessing ourselves, thinking, what’s the most authentic version of this moment now? We’re trying to capture that. That’s been a big focus throughout this entire project. That and the whole idea of music bringing people together, you know?” - Izaac Short 

You can stream “Lost in the Chronic” now and check out more music by The Weird Sisters on YouTube and Spotify.

FOLLOW THE WEIRD SISTERS

INSTAGRAM | SPOTIFY | YOUTUBE

Review: Dorothy's "What's Coming To Me"

Baylee Avery
211199039_339932934169836_1926033826590587386_n.jpeg

It’s been three years since Dorothy released her album, 28 Days In The Valley, and since that release listeners and fans of Dorothy have wondered, “When are we going to hear new music from Dorothy?” Well, our questions have now been answered, as Dorothy has finally released a new single, “What’s Coming To Me”.

Upon first listen, it feels like you are stepping inside some sort of chamber, not knowing what to expect upon stepping inside for the first time ever. My feeling is that it’s going to be something great.

If there’s one thing you gotta give Dorothy credit for - it’s the power and drive she puts on display through her songs as a rock queen. She really shines through on this song.

Her vocal delivery, lyrics, and overall power are what make this song as wondrous and magnificent as it is. There has always been something special about Dorothy and her music. It feels like with each new chapter she starts in her music career, it’s nothing short of amazing. 

Her debut album was absolutely incredible and really showed off the fiery, don’t give a shit - rocker kind of sound that we all know and love. Her second album shows off a bluesy rock sound that was mesmerizing and had a lot of unforgettable tracks.

Whatever she has in store for her next album is already proving to be very promising. The sound in this first single is almost reminiscent of Stevie Nicks in a sense. in that it gives off a very witchy sort of vibe. Honestly, it could even be a song featured on “American Horror Story: Coven”.

Dorothy is a powerhouse through and through. We’ll all be awaiting this new album all while listening to “What’s Coming To Me” on repeat.

Oh, and she’s right - This life doesn't come free.

FOLLOW DOROTHY

INSTAGRAM | FACEBOOK | TWITTER | WEBSITE | SPOTIFY

Interview: Erin Coburn

Evie Wagner

Evie sat down with Kentucky native and multi-talented instrumentalist, producer, singer and songwriter Erin Coburn for a brief chat about recording, producing, gigging, collaborating, and much more. Tune in to hear her stories about getting certified in audio engineering, playing livestream shows, dream musical collabs and which three vinyls she would bring to a deserted island.

FOLLOW ERIN COBURN

WEBSITE | INSTAGRAM | FACEBOOK | TWITTER | TIK TOK | SPOTIFY

Album Review: Beartooth's Below Is Your Summer Rock Anthem

Justin Spartacus
beartooth-promo1.jpeg

Beartooth have returned and they’re making a big statement with their new album Below. They’re here to bring the moshpits to 2021. 


It’s been about three years since the release of their album Disease, and I was 50/50 in liking it. It had a few heavy hitters on it such as “Bad Listener” and “Used and Abused”, but that was the extent of it’s heaviness. The whole album felt very emo in lyrics and music writing, I felt sad or in a breakup that wasn’t there. It was a good album, and I know it connected with others who were going though hard times, but for me it was just too melancholy. 

“Below” is definitely a 180 to that sound. This album is full octane of breakdowns and riffs. Even the slowest song on the album “ The Answer” throws in a two step breakdown, but it works incredibly well. 

Kicking off with the album tilted track “Below”, a thunderous chant of drums leads in while Caleb is screaming “I feel the rage, something starting to grow” , and guitars drop in with the opening riff. This energy does not stop for the entire album.  Songs such as “Devastation”, “Hell Of It”, and “ Dominate” will be mosh pit openers when played live. 

And for those who love the more slow paced, radio friendly touch of Caleb, “The Past Is Dead”, “The Answer”, and “The Skin” cater to you, but as I mentioned before, those even have breakdowns as well. 

The album ends beautifully and unexpectedly with “The Last Riff”, which is exactly what it is. The track is an instrumental song, no lyrics whatsoever but is actually one of my favorites on the album. 

“Below” is your summer rock anthem, with each song being a radio banger.