Welcome to another episode of The Breakdown, our weekly talk for everything in the rock world. This week we discuss the release of Mammoth WVH, Atreyu and Wristmeetrazor. We share our thoughts, opinions and favorite tracks from each album…
Review: Lorde Makes Her Grand Return With 'Solar Power'
It’s been a long and slow four years since Lorde has released anything new. The one question that would play throughout my mind during the pandemic would be, “When the hell is Lorde going to release new music? Seriously, that would save us all right now,” I would think of that question whenever I would decide to go on a Lorde listening binge, which happens a little too often.
Now, she’s back! The queen of indie pop herself has returned with a new track, titled “Solar Power”, just in time for the summer and has officially saved every single one of us, after being out of the public eye for so long.
The song is what I would call an ultimate summertime anthem. The acoustics bring a summertime, feel good touch and it makes you want to throw on your brightest, yellow shade outfit to date and just twirl around on the beach. Bring in that good summertime serotonin!
It feels so different, but also feels like the same Lorde I first got to know and fell in love with when listening to “Royals” for the first time ever. In fact, listening to “Solar Power” made me think back to when I first discovered Lorde and the feeling I felt when listening to her for the first time ever. That itself made me realize that the feeling never went away.
Listening to the song again and again, I can say that “Solar Power” is a strong start to whatever it is that Lorde has in store for her fans. After four years, it feels great to see her grand return and I am absolutely certain that this new album is going to be just as amazing. All hail the power of Lorde, Ladies and Gentlemen.
Book Review: Heavier Than Heaven
[TW // mentions of mental health issues and drug addiction]
Growing up with cool parents with cool music taste, my introduction to Nirvana came at the early age of three. One of my first memories is standing in my living room watching the “Smells Like Teen Spirit” music video on our giant box TV just absolutely enthralled. The older I got, the more I began to resonate with the lyrics of Kurt Cobain and his way of thinking. Almost every Christmas, I was blessed with magazines talking about his life, Nirvana CD’s, and posters of him. It’s safe to say I know an unhealthy amount about Kurt Cobain. This book was my first proper biography I had ever read on him. I went into it knowing about the mixed reviews but decided I needed to judge for myself.
This book details Cobain’s life in a startling way. If you have any preconceived notions of who he was and how he operated, this book will most likely tear them to shreds. Heavier Than Heaven, although the name of a tour Nirvana was a part of, can easily be used to describe the soul of Kurt Cobain which is on full display in this biography.
It starts out as any typical biography, detailing his birth, family life, and early childhood in a very efficient yet story-like way; a phrase that can be used to describe how this entire book is executed. A nice touch that I really love is that every chapter is named after a quote from Kurt or someone close to him which seemed to, at least in my case, reel in the reader and connect them straight to Kurt.
Being completely honest, there isn’t much to absolutely love about the book. It’s just a typical biography but it is well documented, and almost everything comes straight from interviews the author held with people close to Cobain, so the facts and extra layers of the story are all there. If you know a lot about Kurt Cobain already you might not find much in this book you haven’t heard before. With that being said, there are many pieces of information inserted that I found to be unnecessary for people to know in order to understand who Kurt was as a person. Some of the unexpected tidbits of personal information led me to put the book down because I was deeply disturbed and felt like I was invading his privacy which, even in his 27 years of death, he still deserves.
The first half of this book talks about his early life leading up to his musical career. I found everything to be very accurate to the point where you knew what he was thinking during those times and if you’ve gone through similar struggles in your adolescence, you’ll be able to relate to him immediately. The second half of the book details the bulk of his musical career and adult life. These are the parts most people know already since he’s become somewhat of a musical icon. With this half of his life came the bad parts of his drug addiction and mental health. While his struggles were a huge part of his life, a catalyst for his writing, and most accounts of his situation can serve as a cautionary tale, I found that the author of this book rushed through certain parts of his musical career and success in order to detail the tribulations of his addiction. Ultimately, the author seemed eager to talk of Kurt’s early demise as he alludes to his death several times throughout the book.
As the book winds down and you get to the final chapters, you realize what the book is going to end on and you dread it. This leads me to the major piece that I disliked about this book which was the last chapter. The author took many creative liberties to detail Kurt’s final moments as if it were a script from a movie. He tries to tell us exactly what Kurt was thinking and how he was planning, which is something no one truly knows except Kurt himself. Through reading multiple positive and negative reviews about this book, I noticed most people felt the exact same way about this. It’s just very off putting and plays into a bigger issue that a lot of people, especially in the media, are guilty of. They often assume they know exactly what a mentally ill person is thinking and why which only furthers the stigmas surrounding mental health.
It did seem as though the author was only paying attention to the negative aspects toward the end of Kurt’s life but in reality, it pinpoints the exact moments where pieces started falling apart and how he was unable to piece them back together. It gets across the point that he was incessantly struggling to stay afloat which is a hard pill for some people to swallow.
All in all, this book is incredibly telling and is a great starting point if you want to get to know and understand Kurt Cobain’s life. Even down to the stuff you’ll wish you didn’t read.
Album Review: Wolfgang Van Halen Makes His Album Debut with Mammoth WVH
I’ve been listening to Mammoth WVH’s debut album for almost a week now and every single time I press play, I feel an overwhelming sense of comfort wash over me and it’s weird. It’s a feeling my head can’t quite grasp but my heart certainly can.
Rich in sound and genuine in its lyricism, Mammoth WVH feels new and exciting yet warm and embracing. The self-titled album is Wolfgang (Wolf) Van Halen’s debut as Mammoth WVH and it’s one hell of a first impression. Showcasing his talents, Wolf wrote every single song, handled all vocals, and performed all of the instrumentation on the album. The product is a multi-layered, goose-bump inducing, power loaded rock album. Sonically, the entire album packs a punch and gives listeners something to jam to from beginning to end. The 14-track album features everything from heavy to soft, headbangers to tear jerkers. There is truly something for every fan of rock.
If you’re looking for a follow-up Van Halen album, sorry, you simply won’t find that here. Now, if you’re looking for a continuation of musical artistry and ingenuity, you’ve come to the right place. While you’ll catch some Van Halen nods like the name, an inspired lick or two, and a “So This Is Love?” quote, this album is distinctly Mammoth WVH.
“You only have one chance to make a first impression, and I wanted to do so to the best of my abilities,” Wolfgang shared, “Throughout the whole process, I was finding who I am musically and by the end, I got a pretty good handle on a sound I can claim for myself.”
In a recent interview, Wolf mentioned that this album was the only thing Eddie Van Halen had on his phone, and now, it’s the only thing I’ll be playing for quite some time….
Mr. Ed:
BAM! Right from the start, the energy is high and the guitar wastes no time hitting you right in the face. The hard driving drum beat adds to the power, building into the chorus. Although the lyrics have absolutely nothing to do with Eddie Van Halen, you’ll catch some harmonic taps that give this song the perfect nod to the legendary guitarist that inspired so many.
Horribly Right:
One of the grittiest songs on the album, “Horribly Right” brings in those heavy guitar riffs that make you feel like you’re caught up on stage, just rocking out with the band.
Epiphany:
Powerful vocals and catchy guitar riffs, “Epiphany” is one you feel in your soul from start to finish. The deep bass pulls me in, the chorus explodes and the song completely envelopes me. I feel like I’m floating amongst the sound waves. Rocking around, the song takes the listener for a ride as the chord progressions switch up and the vocals are centralized. Wolf sings, “I’ve never felt more alive,” and I couldn’t agree more when listening to “Epiphany”.
Don’t Back Down:
Most of us have had plenty of time to crank this one up at high volumes, and for me, it’s still on heavy rotation. “Don’t Back Down” was an incredibly strong single and really set the bar for what Wolfgang had to offer as a solo artist. Playing off of the lyrics, sonically “Don’t Back Down” chugs along as a continuous build up of swirling riffs and powerful vocals. It’s motivating and leaves me on an energy high.
Read my full review of “Don’t Back Down” here.
Resolve:
Layered electric and acoustic guitars blended with a thick bass lead this story. The weaving in and out of the guitars allow for the solo to sneak in and ignite the sound of soul. With honest lyrics like, “Countless hours, only you can cure this pain, you fucking coward,” Wolf holds nothing back and you can hear the conviction in his vocals.
You’ll Be the One:
Turning the temp back up a notch, “You’ll Be The One” is a great example of Wolfgang honing in on his own sound. Midway into the song, the guitar takes center stage raining down into echoed vocals creating an epic build into a short but explosive solo.
Mammoth:
“Mammoth” creates a sense of motivation with inspiring lyrics and uplifting instrumentals to back it up. As we reach the solo, it feels like we’re climbing to the top, “anything is possible.” Knowing Wolf played the original Frankenstein on this solo only adds to the meaning. Incredibly guitar driven, the riffs in this track feel a bit pop-punk to me.
Circles :
Guitars ricochet like something hitting the water creating ripples. “Circles” is moody and all consuming. A slowed tempo, smooth vocals and impassioned guitar riffs create an emotional build up that seems to wash over my entire being. Time slows down, Wolf softly sings “I’ll wait for you” closed with a single strum and a wave of emotions hit as the guitars and drums flood back in. I’d be dishonest if I said this one didn’t bring tears to my eyes.
The Big Picture:
Hope you’re ready to rock, because “The Big Picture” brings it! Heavier chord progressions and aggressive vocals help give this the 90’s rock sound we’ve all come to love (and miss). With no surprise, Wolf shared one of his inspirations was Alice In Chains.
Think It Over:
Speaking of inspiration, Fans of Jimmy Eat World will appreciate the overall sound of “Think It Over”. The strong steady beat builds a wholesome rapport and make this song feel like home. The solo feels very down to earth, just enough umph without overdoing it.
You’re To Blame :
THIS is the kind of song that makes me wish I was in a band. Though this song was released as a single and has been out for quite some time now, “You’re To Blame” is still one of my favorites to blast and sing like I’m putting on my own show. The passion in Wolf’s vocals and the solo layered onto the uphill chord progression is enough to get you revved up for the unforeseeable future.
Read my full review of “You’re To Blame” here.
Feel:
The heavy continues and I am HERE for it! Get ready for a ride of multi-layered vocals and chugging riffs. Percussion builds intensity as we gear up for not only a guitar solo but a drum solo. And while the instrumentals are quite robust, we never lose the power of Wolf’s vocals.
Stone:
Another full body experience, “Stone” cocoons the listener with fuzzy guitar and a down tempo. Wolf’s vocals melt into the slow yet constant build. Just as you get comfortable, the guitar “plugs in” and intensifies, making you feel like you’re ascending into the musical abyss.
Distance:
Like any good album, it takes you on a musical journey. “Distance” may not have been planned to fit into this album but it became the perfect ending and I don’t think it would truly be complete without it. You can feel the love in every single note sung and strummed. This was our first introduction to Wolf as an artist on his own and it was the first time I found comfort in his music. “Distance” quickly became closure for all of us who kept Eddie Van Halen close to our hearts and It will continue to help heal hearts for years to come.
Review: In The Mourning Releases Debut Single, "At What Cost"
In The Mourning’s new single, “At What Cost”, is going to take over the charts.
The song is about putting all of yourself into a relationship even when you are going through a hard time with your partner who you love dearly. Your partner doesn’t make the same effort you’re putting in to make things work. This causes doubt and makes you feel lost.
The Avril Lavigne influence can be easily caught in the sound of In The Mourning’s debut single. This inspiration transports you back in time.
In the music video, Amanda’s energy in both her singing and dancing keep you glued onto the screen and you can’t help but sing along. The other band members and the rooftop setting also play their part into building the energy.
I love everything from the production to the sound but most of all, I appreciate that In The Mourning is lead by a powerful female singer/songwriter. It’s beautiful to see a female voice in a world full of male front men.
Stream “At What Cost” now…
Review: Yola Continues to Rock and Inspire with Latest Release “Stand For Myself”
If you’re not listening to Yola yet, you should be. Her latest release, “Stand For Myself,” is another taste of her upcoming record of the same name due on July 30, and I can already tell that this is going to be one of my favorite 2021 releases.
Everything Yola does has blown me away me since I first heard her voice just over a year and a half ago, but I think this track is my favorite release from her yet. She continues to defy the boundaries of genre with her soulful vocals, wailing rock guitar riffs, and subtle country/Americana feel, and this track, like everything she does, blends the best of every world into something all her own.
In a recent Instagram post promoting the song, she says:
“It’s a call on us all to extract our heads from the sand from fear based reasoning, and engage with the world and its people. To reject narratives that push you towards a lack of empathy. I’m asking all of you to live more honestly, more vulnerably and with more profound feeling for yourself and consequently others. To be free enough mentally to pursue ideas you haven’t had, you make a decision to move into the unknown. Joy is hiding in those neglected shadows, and I hope you feel that sense of hope and possibility in this song, like I felt when I was writing it.”
This track feels like an anthem for those who hide themselves from the world, those who are scared, and for those who are ready to start fighting for whatever it is that they believe in. That said, it feels different from other songs that serve a similar purpose. Yola acknowledges that she understands why we stick our heads in the sand or why we hide ourselves. She admits that it’s not easy to get past that, but encourages the listener to work and fight for it anyway, and she does this in such a way that doing so actually seems feasible.
The song starts off with that acknowledgement that she understands why we do what we do and introduces the concept of standing for oneself softly, to ease the listener into the concept. From the second half onward, the instrumental and Yola’s powerful vocals build into a roar that’ll leave you feeling stronger and more empowered than ever before. You just can’t avoid it. The song itself sounds like a revolution.
This track genuinely spoke to my soul. In today’s world, I believe we need more people to live free, to be themselves, and to fight for what matters to them, and it’s always refreshing to hear one of music’s best put that message out into the world. Go spin “Stand For Yourself” right now and get ready for this record – it’s gonna be a good one!
Paramore's Brand New Eyes Carries Throughout The Years
Paramore has been a huge part of my life since the age of twelve, thanks to discovering them through the Twilight soundtrack. It didn’t take long for them to become my favorite band, after obsessively listening to their songs, “Decode” and “I Caught Myself”, which also led me to going to their website and discovering their other singles through their music videos. It was the first time I ever discovered a female-leading band and it made me so happy to know that they DID exist. So Hayley Williams quickly became one of my biggest idols.
They were also the first band tee I ever purchased. In middle school, I wore probably two or three Paramore shirts a week and I had one of their songs as my ringtone on my little flip phone. We had lockers in my classroom and once, my phone went off when it was in my backpack. Paramore blasted through the locker vents. Oops!
That year was the year their third album, Brand New Eyes, released. I had just started getting into them right when the album was released, so you could say I found them at the perfect time. It didn’t take long for Brand New Eyes to become an album that I would continuously play all the way through.
Hearing the opening of “Careful”, I knew I was in for a good ride. Each song got better and better and it was, honestly, the first album I actually truly felt connected with. There were albums I loved before that one, but I felt something when listening to this album.
After listening to the final track, “All I Wanted”, I had a moment where I was left thinking, “That was it?” I wanted more and more from the album, but I was still left feeling satisfied. It was a great closing track.
The first few months of owning the CD, I listened to it on my CD player everyday and then, my dad got an iPod Nano for Christmas. Since my iPod was registered under his account, he would download songs and albums for me. I gave my dad all three Paramore CD’s and those were the first albums I had downloaded onto my iPod. I continued listening to Brand New Eyes every single day. Listening to the first two albums compared to Brand New Eyes, I loved them and I felt connected to them, but Brand New Eyes truly felt special to me.
Fast forward to 2021, almost twelve years since the release of the album and two more Paramore releases later, Brand New Eyes still takes the cake when it comes to Paramore and their albums. Songs like “Careful”, “Turn It Off”, and “Misguided Ghosts” were always the songs that resonated with me the most back then and even now, still do. I have moments where I’ll go back and listen to this album on a continuous loop, with absolutely no shame at all.
I still find myself connecting with it as an adult and I know that it will always hold a special place in my heart, as it is one of the albums that inspired my career as a music journalist. Paramore has always inspired me and I think my passion for music continued to grow over time because of them and my never ending love for them, which is why they’ll forever be my favorite band.
The Breakdown E16: 2021 Tours
Welcome to another episode of The Breakdown, your weekly talk for everything in the rock world. Concerts and tours are back! Yes, finally after the crazy 2020, concerts have returned! This week, we discuss some of our favorite announced tours we think you should spend your money on this year. Plus even meet us at them!
Review: Feeling Hopeful with Flying Buffaloes Latest, “A New Day Is Gonna Dawn”
The latest release from Flying Buffaloes, “A New Day Is Gonna Dawn”, is everything I’ve always loved about classic Southern rock, alt-country, Americana, and more. I’ll admit, this newest tune is my first taste of what Flying Buffaloes have to offer, but it didn’t take long for me to be hooked.
Rock and roll and country both can tell so many different kinds of stories; that’s one of my favorite things about those genres. We all have our favorite rock and roll and/or country tunes about heartbreak, pain, love, lust, and anger, but with this track, Flying Buffaloes mix these genres brilliantly to tell a different kind of story – one of hope.
What’s so beautiful about this song is how it’s just vague enough to mean something different to every listener. For me, I immediately thought of how I’m relocating to a new city 8 hours from my hometown very soon to start the next chapter of my life. You’ll probably think of something different, yet the song itself remains exactly the same. That’s the coolest thing about music: when it’s done right, one song can mean something different to everyone. Flying Buffaloes absolutely nailed that.
Sonically, I am obsessed with this track. It starts off kind of swampy, with a harmonica sound that reminds me of trains passing by in a small Southern town, then eases back a bit to blend gentle Southern rock sounds with a raw, powerful vocal that commands your attention to every single word. As the song progresses, it rocks harder, gets louder, and makes you feel certain that a new day is, in fact, going to dawn.
Show Flying Buffaloes some love by giving “A New Day Is Gonna Dawn” several spins and figure out what it means to you!
Interview with Nashville Based Rock Band, Sweettalker
What was it like releasing an incredible EP in the middle of a pandemic? Rebecca caught up with Nashville based band, Sweettalker, to chat about the inspiration and making of their Paradise EP, getting back to shows, and what songs they currently have on repeat.
Catch Sweettalker on their Born To Lose Tour this Summer!
Review: First in Flight’s “Skeletons”
First in Flight released their single “Skeletons” in April and it's a crime I didn’t hear it sooner.
The band is made up of four guys that come from very different musical backgrounds and while you can definitely hear a bit of each individual's influences throughout their music, it all meshes together perfectly and gives you this nice fusion of genres.
The lyrics in “Skeleton” may talk about secrets hiding behind every door, but the song itself has everything you could look for in a fun upbeat jam that you can jump around and dance to. It’s reminiscent of some very specific early 2000’s rock with the electronic elements and high energy music yet deeper subject matter throughout the lyrics.
In their Spotify bio they wrote, “The sweetness of cotton candy in the middle of a mosh pit” to describe their music. An interesting yet completely accurate description, especially for this song. You really don’t need anything more than that.
Admittedly, I can’t stop listening to this song and I’m probably responsible for half of the streams at this point. Speaking from personal experience, the only way to listen to “Skeletons” and First in Flight’s entire discography is loud and proud. So get to it!
Review: A Universal Language – The Mavericks Continue to Impress with En Español (Edición Deluxe)
The Mavericks have proven that there’s no such thing as too much of a good thing with their latest release, En Español (Edición Deluxe). Adding three additional recordings to a 12-track album might seem like overkill to some, but trust me on this, these new additions do nothing but keep the fun going. There are a million reasons to be excited about this latest release from The Mavericks, but truthfully, what excites me most about this release of En Español (Edición Deluxe) is that I finally get to share with the world my thoughts on what I believe is one of The Mavericks’ best releases to date.
Something I love about The Mavericks is how they seem to have always been genre-less, in a way. There have always been a wide variety of influences prevalent in their music and there isn’t an existing category that quite sums them up. This album to me is a culmination of all their various influences into one single hour of music. Who would have thought Latin, rock, country, and Americana music could be combined to create something so mind-blowingly wonderful?
I can’t count how many times I’ve spun En Español since its initial release back in August of 2020. Combining classic covers with brilliantly written originals, this is the perfect record for lovers of Latin music and newcomers to the genre alike. Despite not being a Spanish-speaker myself, what’s so impressive about this record is how if you really listen, it doesn’t matter if you speak Spanish or not. You may not get the full translation, but the mood of the music and the emotion pouring out of Raul Malo’s masterful vocals are enough to grasp the overall meaning of each track.
I could go on and on about each of these songs, but in the interest of time, I’ll hit you with what I believe to be some of the highlights. “La Sitiera” opens the record, and there is no better track to guide you into the hour long journey you’re about to embark on. You’re introduced to all the elements and players that contribute to this record’s classic but unique Latin sound. Beginning as a trio of guitar, strings, and Malo’s voice, the song builds up to a gorgeous full band piece with horns and accordion rounding out the track. Every piece of this puzzle is important, and the track wouldn’t be the same without all its players.
One of my personal favorites from the middle of the record is “Me Olvidé de Vivir”. I find it to be reminiscent of 60s and 70s folk music – it has a serious John Denver vibe to it that makes it absolutely irresistible. For me, it stands out from the rest of the album in its energy, but it doesn’t feel out of place. Clocking in at over five minutes, I somehow feel that this song just doesn’t last long enough. I’d be happy for it to go on for ten or even 15 minutes! This is one of those songs that I could play on repeat for hours and never get tired of it.
Of course, with this being the Edición Deluxe, this record has grown by three songs, and after hearing them, I honestly can’t imagine listening to this record without them. The first of the three additional recordings is “Por Ti (Yo Quiero Ser)”, an upbeat track that immediately lets you know the fun isn’t over just yet. This track is obviously meant to be listened to loud, and loud is the best way to get the full effect of my favorite part of the song, that bit just before the chorus comes in – give this song a listen and you’ll know exactly what I mean. Everything about this track is the perfect blend of The Mavericks’ Cuban roots and rock, and the end result is insane. En Español wouldn’t be the same without it.
I keep finding myself going back to the second of the new additions, the Ranchera Version of “Poder Vivir”. While the standard version of this tune is one of my favorites from the album, I especially love the Ranchera Version. It has this wonderful bolero quality, and it really showcases Malo’s beautiful vocals. This version forces you to take a moment and recognize just how beautiful and lovely a song this truly is without straying too far from the standard version. This is another one from this record that I could play on repeat for hours and never find myself tired of hearing it.
The last of the additional tracks is the El Dusty remix of “Mujer”. I’ll be completely honest, I’ve never particularly cared for remixes. A handful of my favorite artists have partnered up with someone and released a remix here and there, and I usually find that the remix takes away from the song rather than adding to it. This remix, however, absolutely blew me away. El Dusty stays true to the root of the song, leaving Malo’s vocals seemingly untouched, but giving the song a modern, Top 40, funky flair. It’s easy to take a remix too far and lose sight of the original piece of music, but that’s not the case here. It’s very enjoyable to listen to, and it’s a perfect closing track for this record.
En Español is the most beautiful blend of everything you could ever want from The Mavericks. It’s classic, it’s fresh, it’s fun, it’s unique. It’s Latin, it’s rock, it’s country, it’s Americana. You can hear the passion that went into every single track, and it’s a perfect album for any audience, young or old, Spanish-speaking or not, lovers of any and all genres of music. Each track brings you something a little different, though they’re all incredible. Give an hour of your time to En Español (Edición Deluxe) and I’m certain you’ll agree with me: This record is proof that music is a universal language, and a beautiful one at that.
Interview: Indie-Rock Duo, Bird and Byron
On May 7th, the Indie-Rock Duo Bird and Byron released their brand new single, In The Clear. Angel sat down with Bird and Byron to discuss their latest single. They both shared with Angel how they met, what's been inspiring them musically and what's in store for the dynamic duo.
Stream In The Clear on iTunes and Spotify.
Album Review: Rise Against is Back with Nowhere Generation
Since 1999, Rise Against has been the punk household name for political activism. Now hitting over two decades with eleven albums, their fire and passion has never faltered.
With their 11th studio album, Nowhere Generation, Rise Against brings the nostalgic feel of perhaps their largest two albums in their career: The Suffer & The Witness and Appeal To Reason, while still making it a rejuvenation of the Rise Against we love.
The first single to be released was “Broken Dreams” back in September of 2020, and upon hearing the opening riff, I felt a euphoric happiness and thought “Rise Against is back.”
This nostalgic feeling continued with their second single release “Nowhere Generation.” With anthem lyrics such as “We are the Nowhere Generation, The kids that no one wants” and catchy melodic riffs, this felt as the sequel to “Long Forgotten Sons” in their 4th studio album Appeal To Reason.
Nowhere Generation is the hard hitting Rise Against album that you didn’t know you needed right now. It’s filled with rock anthem hits like “Monarch” and “Middle of a Dream”.
And for fans wanting wanting the classic Tim Mcllrath acoustic feel, “Forfeit” is exactly that. Rise Against have returned after almost 4 years, showing political punk music is not dead.
The Breakdown E15: Top Live Streams 2020
Welcome to another episode of The Breakdown, your weekly talk for everything in the rock world. All shows and festivals were canceled during the pandemic, but that didn’t stop artists from giving us our fix of live music. The whole music industry pivoted and live stream concerts dominated social media. Here are our top live streams from 2020.