Joyous Wolf Tease With Two Released Tracks from Upcoming EP

If you’re craving a heavy dose of Rock ‘n’ Roll, we’ve got just the prescription. Southern California’s Joyous Wolf recently released two tracks from their EP set to release on April 19th through Roadrunner Records

“Quiet Heart”’s relatable lyrics mixed with Nick Reese’s rich vocals build perfectly into the strong percussion and guitar riffs. “Place In Time” is hard hitting, head-banging good. It truly sets the mood for what we can expect from the remainder of the EP.

Joyous Wolf continues to be a BANDED favorite, fusing their own energy and sound of classic rock and the Delta Blues. This quartet is truly a breath of fresh air,  feeding the flames in this Rock ‘n’ Roll revival.

Listen below + catch one of Joyous Wolf’s high energy performances as support for Buckcherry on select dates during their current tour.

As It Is Brings Great Depression Tour to Nashville

A great depression settled over Nashville on January 31st, when pop-punk rockers As It Is brought the “Great Depression Tour: Part 2” to the southeast. Where local Nashville venue The End, was host to this ironically raucous celebration of individuality and humanity. As the lineup consisted of artists who supported their fans regardless of their sexuality, gender identity, or mental health struggles. Because of this supporting atmosphere within The End, many within the audience found this as a chance to finally let loose amongst individuals who they could empathize with. As they realized they weren’t the only ones to struggle with depression [as is the case with As It Is’ lead singer Patty Walters] or that they weren’t the only ones to struggle with the aftermath of sexual assault [as is the case with Sharptooth’s lead singer Lauren Kashan]. It was this inclusive and supportive atmosphere coupled with the close confines of The End; which turned this from a typical concert with disconnect between artist and fan, to one which exorcised demons and sent fans off with a renewed sense of hope. 

Before the night ended however, fans packed the small dive bar to see up-and-comers Point North and Hold Close. Two respective bands who are currently burning up the charts and gaining major traction within the pop-punk communities. Thus, if you made a new year’s resolution to dig into trending artists, here’s your chance. As the rockers in Point North have not only been burning up the charts but have also just released a brand-new EP titled Retrograde. An album laden with your quintessential up-tempo pop-punk tracks but this time with an electronic twist. 

Once the boys in Point North wrapped up their set, it was clear that the crowd began to warm up both literally and figuratively. As the crowd became increasingly receptive to what each artist had to say. As it became apparent that each artist wasn’t standing on stage for the vanity of it all; but rather because they wanted to use their stage as a platform to speak out about something close to them. Nowhere was this more evident than during Sharptooth and As It Is’ respective sets, which tackled often-abysmal topics such as sexual assault and depression. 

In their performances, both artists refused to allow such topics to overtake their stage. Instead, Lauren Kashan of Sharptooth and Patty Walters of As It Is channeled personal pain and agony to create heart-wrenching yet utterly moving performances. This display of raw honesty and genuine emotion captured the audience and inspired empathy amongst strangers. Which is a fairly refreshing approach when a majority of artists simply roll in to town, perform, and then roll out the next day. Granted, the boys in As It Is don’t strike me as your typical cookie-cutter rock stars, who perform just to get a paycheck. Especially when their latest album “The Great Depression” tackles subject matter such as stigma, mental health, and loss; topics which are pertinent and well…real to kids in this day and age; as the number of individuals diagnosed with depression alone is a staggering at 6.7% or 16.2 million individuals within the US alone (Healthline). 

By imbuing their genuine heart and soul into the performance, everyone in the room could tell and responded by giving As It Is their all; by joining in on singing songs like “The Great Depression” and “Stigma [Boys Don’t Cry]” at the top of their lungs. A sight which is common, but this time was filled with honest faces and a genuine air of healing which simply can’t be described in words. Which is why I would advocate that you go out and experience an As It Is concert for yourself; as it’s something that simply can’t be explained. It’s an emotion, a feeling, when you’re packed into a room full of empathetic hearts spilling their guts to strangers and friends alike. 

Since the boys in As It Is strived to support and foster this healing atmosphere; fans were able to find refuge from an ugly world which loomed just outside the close confines of The End. Which if you ask me is a pretty damn exceptional act; as it takes guts to come out and speak one’s truth while also offering a helping hand to those who need it most. 

Tickets for As It Is’ “The Great Depression” tour can be found here.

If you or someone you love is struggling with depression or suicidal thoughts, please don’t hesitate to reach out 1-800-SUICIDE (784-2433) or chat online at https://suicidepreventionlifeline.org/talk-to-someone-now/. 

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Underoath’s Triumphant Return to Nashville

Nashville’s War Memorial Auditorium is a historic venue nestled in the heart of downtown; where on November 2nd a historic night was crafted amongst the gilded ceilings of this iconic venue. As Underoath’s “Erase Me” tour kicked off to a lively and magnetic note; thanks to an energized crowd and animated support from artists like: The Plot in You, Crown the Empire, and prog-rockers Dance Gavin Dance. 

Each artist played their respective role in stoking the flames of excitement and anticipation for the headliner’s historic return to stage. Granted, Underoath didn’t need this help; as the crowd already knew what was in store. Now, if you’re wondering, “what’s the big deal about underoath playing a show in Nashville?” Or “What makes it so historic?” Let me fill you in on the details and intricacies revolving around this tour.

To start off, on October 2nd, 2012 Underoath announced that they would be formally disbanding come 2013; and on January 26th, 2013, Underoath performed one last time for fans at Jannus Live in St. Petersburg, Florida. Several years passed and fans were left in the dark. Only to awake to the phrase “rebirth is coming” pasted across all of Underoath’s social media accounts in July of 2015. It wasn’t until February 22nd, 2018 did fans see a true rebirth of Underoath with their surprise single “On My Teeth.” A gripping song off of Erase Me, which features all of Underoath’s original members and vehemently renounces all ties to their former beliefs as a band; as the opening lyrics decry religion.

At War Memorial Auditorium, Underoath sought to inform fans about why there was a need for rebirth and change. As lead singer Spencer Chamberlain explained how “Christianity became poisonous” to not only the band but “to myself; as we began to think inside these boxes.” Boxes where Spencer and the rest of Underoath began to feel an insurmountable pressure to be something they’re not. Which unfortunately led to a self-destructive spiral in Spencer’s case; as he fell into old habits of drug addiction. A serious mental health issue which plagues over 21.5 million Americans on a yearly basis (American Addiction Centers). It was at this point that Spencer Chamberlain [and the rest of Underoath collectively] felt as if he’d reached the darkest and lowest point in his life; as he was struggling and enduring a “personal hell.”  All due to the pressure felt to meet these expectations set forth by organized religion. 

A concept which became poisonous to the band Underoath; as it caused a distortion of who they perceived themselves to be. Driving the band’s poignantly dark lyrics on the album Erase Me; as they boldly detail how religion drove their self-destructive tendencies and caused a struggle within each members’ personal lives. Luckily, the self-destructive spiral met its end in 2016 when Spencer Chamberlain reached his breaking point and realized that he “had to ask for help.” No matter how embarrassing it seemed at the time. It was this stark realization of reality that allowed Underoath to be…Underoath again. As the band realized they “had to be real with each other and open up to each other before they could make music again.” 

With this new refreshing outlook, Underoath stormed the stage at Nashville’s War Memorial Auditorium with a gusto and energy unmatched by other artists. Even the LED walls with their glitching graphics were dwarfed by the raw energy and striking presence of Underoath; who demanded all eyes on them. Even during their acoustic cover set [a gift to all of those who bought tickets] fans were eagerly endeavoring to catch a glimpse of Spencer and Aaron perform covers from classic bands like Nirvana. 

It was at that point that Underoath’s triumphant return to the stage was solidified. Making that night pretty damn historic. 

If you know someone who is struggling with drug addiction, please contact: 1-877-810-0426. 

Thrice Brings Their Own Masterpiece to Life at Marathon Music Works

As the nights grow longer and summer slips through our fingers, concert season is beginning to wind down. Albeit it wouldn’t seem so if you lived in Nashville, TN; seeing as countless bands have passed through town this week alone. From the Goo Goo Dolls to Thrice, every venue in Nashville has been host to a myriad of bands; and Marathon Music Works was no exception. As alternative-rock band Thrice, brought their ‘Palms’ tour to Marathon Music Works on October 14th. 

The Nashville date of the ‘Palms’ tour marked the end of “Leg One;” thus, each band’s tone and aesthetic performance was dialed in. Regardless of technical issues or not, Teenage Wrist & The Bronx’s were both beyond grateful for the kindness displayed by locals; who chose to listen to their sets on a rainy Sunday evening. Those who did choose to spend time listening to openers Teenage Wrist and The Bronx were greeted by an interesting medley of music that night; as Teenage Wrist carried glossy-grunge vibes whilst The Bronx was…raucous, to say the least.  

If you don’t believe me, then I would recommend grabbing some tickets for the second leg of the ‘Palms’ tour. Which starts back up on November 2nd in San Francisco with stops across the west coast and Midwest. That way you can experience the exciting dynamic frenzy which broke out when Matt Caughthran, lead singer of The Bronx, jumped the barricade just to create a circle pit to their song “Heart Attack American.” 

If you’re not one for circle pits, you should still make the ‘Palms’ tour a “must-see;” as alt-rockers Thrice bring their own version of a masterpiece to life. As from their first note on “Only Us” to the last note of “To Awake and Avenge the Dead;” Thrice create an utterly captivating performance through the assistance of a carefully crafted lighting design; set to highlight the rockers in shadowy blues, reds, and purples. 

Not to mention the lyricism seen throughout created a meaningful backdrop; as songs such like; “Image of the Invisible” and “Hold Up a Light” subtly depict the strength and perseverance of the human soul. Topics which reappear frequently within Thrice’s discography; as lead singer Dustin Kensrue has been an advocate for helping fans reaffirm their worth. By reassuring fans through written word and spoken that we’re not just alive and worth “x” amount; but that “we are beings of unconditional worth. Regardless of what the world says we have to offer.” 

The sentiment on stage and throughout ‘Palms’ was no different; as Thrice strived to masterfully create a place which was not only safe from the rain; but also safe from the callous world which lurked just outside the doors of Marathon Music Works that Sunday night. 

Tickets for Thrice’s ‘Palms’ tour can be found here.

The Red Jumpsuit Apparatus Break Tradition at Rocketown

Rocketown’s White Building in Nashville has been home to pop-punk legends such as; Set It Off, Knuckle Puck, Metro Station, and Hawthorne Heights. But on July 28th, Rocketown was home to legendary rockers, The Red Jumpsuit Apparatus, who are fresh off the heels of their newest release The Awakening and opening eyes across the country to their newest debut. Joining them on their “tour de force” were newcomers RIVALS, whose lead singer Kalie Wolfe, kicked ass despite microphone problems. If anything, the microphone issues encouraged Wolfe to “bring it” and captivate the local crowd; by amping up RIVALS’ already high energy set. 

Not to be bested by their tour partners, The Red Jumpsuit Apparatus came out swinging with “Fighting Everything;” the band’s latest single from The Awakening. Followed by “Waiting;” a classic off their 2006 album Don’t You Fake It. This medley of new and old songs was planned from the jump; as lead singer Ronnie Winter announced that The Red Jumpsuit Apparatus’ set list was a “rotation of new and old.” The performance was welcomed within Rocketown’s aptly named “White Building;” as the fans packed inside were a conglomeration of die-hard RJA fans and brand-new RJA fans. Both of which were treated to a unique and genuine experience; as the Red Jumpsuit Apparatus tore up the rule book on what’s expected of legendary rockers. Instead of following decorum by performing an up-tempo song after “Cat & Mouse” [a ballad off Don’t You Fake It], The Red Jumpsuit Apparatus launched into a powerful rendition of “Your Guardian Angel.” 

The reason for breaking these long-standing traditions? Because “with a name like The Red Jumpsuit Apparatus, we don’t really care about that.” Instead, The Red Jumpsuit Apparatus cared about reaching out to fans through their music; by performing songs which meant something. Songs which carried weight and meaning to individuals interspersed throughout the crowd. An example of such, was The Red Jumpsuit Apparatus’ “Face Down;” which depicts the horrors of domestic abuse and one women’s journey to freedom from abuse. A topic which affects close to 10 million individuals annually within The United States alone (National Coalition Against Domestic Violence).

When phones lit up across the audience upon hearing the first few notes of “Face Down” it was no surprise but a somber realization; as The Red Jumpsuit Apparatus [an RIAA Platinum Certified and Billboard Charting Artist] opposed the “sex, drugs, Rock’n’Roll” script and instead opted for a performance which was raw, genuine, real. 

Which in the end, is what makes The Red Jumpsuit Apparatus legendary. 

If you or a loved one are in an abusive relationship, please reach out to 1-800-799-SAFE (7233) for assistance. 

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The Front Bottoms Bring a Raucous Celebration of Life, Love, and Music to Cannery Ballroom

For those who say “the scene is dead” may I direct your attention to The Front Bottoms? The Front Bottoms, otherwise known as TFB, have been gradually climbing the charts and garnering mainstream attention. Due to their “down-to-earth” blend indie rock and emo. Which can be clearly heard at any one of their numerous concerts across the US and Europe. If you’re looking to catch TFB, don’t worry; as their touring schedule is rather extensive, thus providing ample opportunities for fans and potential fans to connect with the band. 

On May 31st, The Front Bottoms managed to connect with a packed crowd at Cannery Ballroom [the largest venue on Nashville’s Cannery Row]. Where fans were treated to a tour de force of The Front Bottoms discography; starting with the classic “Rose EP” followed by their newest EP release “Ann.” After two short EP-centric sets, The Front Bottoms switched gears and launched into a third set. Which consisted of songs found off their highly successful “Going Grey” album.

Each set was a raucous celebration of life, love, and music. However, that statement doesn’t just pertain to The Front Bottoms. As the opener, An Horse [a female-fronted indie rock duo from Brisbane, Australia] also brought the celebration to Cannery Ballroom. As cheers and chants resounded throughout the set from die-hard fans, who had waited for months to see the Aussie rockers perform. 

From the chanting and the cheering from the pit for the opener alone, it was evident that Nashville was ready to let loose and celebrate love, life, and music. The cheering only empowered The Front Bottoms’ heartfelt and animated antics. For example, right before “Tie Die Dragon” off the “Ann EP,” vocalist Brian Sella borrowed a fan’s pot glasses and jokingly wore them on stage. The glasses, however, proved to be a challenge to open. With Sella stating, “you think they’d make weed glasses easier to put on!” Granted it was a small gesture, it among many other instances served to endear the crowd to The Front Bottoms. As each member of the band genuinely displayed heartfelt emotions and sentiments. Instead of falling prey to rehearsed lines, statements [such as “you guys are the best crowd on this whole tour”], and gimmicks which have grown in popularity among touring artists. 

The Front Bottoms’ genuine approach to their set modeled their down-to-earth music, which strives to tackle modern day issues such as anxiety and stress. Which affects close to 44 million US adults, according to the Anxiety and Depression Association of America (ADAA). In creating an atmosphere of genuine, heartfelt emotions and sentiments, The Front Bottoms were not only able to speak their truth but also to connect with fans across the scene in US and Europe.  

Greta Van Fleet Plays Houston House of Blues [Video]

One of our favorite vloggers, SafetyTess, went to see one of our favorite bands, Greta Van Fleet, play the House of blues Houston. Tess gives us a sneak peek at kick ass opener, Dorothy, and takes us on a journey through Greta Van Fleet's set. Plus, get a behind the scenes look at meeting the guys after the show. Check it out!

**cover photo and video by: Tess Yarbrough

LISTEN

The National Puts on a Homecoming to Remember

The National returned to Cincinnati and made it a homecoming to remember!  In just it's first year, The National Homecoming checked off almost every box a good festival needs to. The venue, Smale Riverfront Park, offered the most incredible view to relax to some of our favorite Indie Rock artists. With a Rhinegeist in hand, we heard from The Breeders, Father John Misty, Alvvays, Feist, Julien R Baker, The National and many more. While it would have been nice to have a little more diverse lineup, it was all truly very fitting. It's aesthetic was strong and the blue skies came out in full force to compliment it. The art installations around the park were a perfect addition to the riverside. What's a homecoming without decorations anyways, right?

As for accommodations, I was truly impressed. Not once did I wait in line to use the restroom or to grab a drink. While there was a line for pizza, there were still other great food options available. The two day festival left me in awe of what's possible in the Queen City, musically. We'll be back, Homecoming. Will you be my date? 

Bourbon and Beyond Announces Star Studded Line Up

Back for it's second year combining the best of both worlds, Bourbon and Beyond has released a star studded line up for 2018 including Robert Plant, Lenny Kravitz, Sting, John Mayer, Sheryl Crow, Brian Setzer and more. The two day music and bourbon festival is hosted at Louisville's Champion's Park on September 22nd and 23rd and will feature 29 musical acts , 44 bourbons, and an incredible culinary experience. We'll see you there! 

PURCHASE TICKETS HERE

Awake At Last devotes show to "every photographer, musician, artist, and individual"

Photos by Iris Konstant

Awake At Last, are a brand new “DIY” band which is making strides within the scene. As they’ve not only had the chance to tour with bands such as Leav/e/arth; but have also been invited to perform on several dates of this year’s Vans Warped Tour. If that’s not enough to convince you about this band’s growing clout, Alternative Press has named them as “One of Twelve Bands You Need to Know.” Thus, with that buzz, you at least owe it to yourself to catch one of their shows; which is nothing short of an empowering and electric atmosphere. 

Awake At Last performed to about 30+ people at Nashville, Tennessee’s Café Coco; which is located right behind the famous Exit/In. The modest number of people seemed to be interested in not just discovering brand new music but also jamming to native artists such as SwanN and Jude Quinn. 

SwanN took the stage around 7:30, performing songs from their 2017 release, Three Weeks. The thrash-rockers managed to captivate and enthral the crowd; even if it was only their “fifth show.” As lead singer, Tommy announced before launching into their guitar-laden closing track “Daises.” Which depicts a relationship gone awry, due to dishonesty from a former lover; but unlike a former lover, SwanN brought honest, energetic, rock-n-roll to Café Coco.  

After SwanN had left the stage, the crowd dispersed and began to intermingle amongst each other. The intermission, however, didn’t stifle the energetic anticipation palpable between fans and artists alike. As once the intermission ended, the crowd seamlessly moved forward. Ready eager and ready to follow Awake At Last’s lead singer, Vincent Torres on a journey through Life, Death, and Rebirth; as depicted in their 2017 debut EP Life/Death/Rebirth. 

During Awake At Last’s set, lead singer Torres managed to engage the crowd by striving to address life’s modern-day trials and tribulations; such as anxiety and depression. Which was addressed in the song “Analysis Paralysis.” Torres’ inspiration for the song stems from his own personal demons; as he introduced this song as a “Fuck you, to depression and anxiety.” Which has plagued him the majority of his life and by the cheers coming from the crowd, affected others in the room as well. 

Mental illness within America affects a combined 56.2 million individuals. As over 16.2 million Americans have suffered from at least one major depressive episode. While over 40 million suffer from generalized anxiety, according to the National Institute of Mental Health. When artists such as Awake At Last address personal issues like depression and anxiety, the scene is strengthened and Americans are able to find outspoken warriors; like Torres to look to for strength and guidance in a struggle which is all too often hidden and shamed. 

After Torres’ call to enlightenment, the band proceeded to play one last song which Torres devoted to “every photographer, musician, artist, and individual” within Café Coco; as the band strived to once again develop a feel-good atmosphere within the small-cap venue with the song “Constellations.” In developing an atmosphere of empowerment and unity, Awake At Last managed to not only snag a few fans in Nashville but establish friendships along the way.